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Tempest

The Arden Shakespeare

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"The Tempest" is one of Shakespeare's most popular plays, both in the classroom and in the theatre, and this revision brings the Arden 3 edition right up-to-date. A completely new section of the introduction discusses new thinking about Shakespeare's sources for the play and examines his treatment of colonial themes, as well as covering key productions since this edition was first published in 1999. Most importantly it looks at Julie Taymor's ground-breaking 2010 film starring Helen Mirren as "Prospera." Alden and Virginia Vaughan's edition of The Tempest is much valued for its authority and originality and their revision brings it up-to-date, making it even more relevant and useful to students and theatre practitioners.
Portrait

William Shakespeare (1564-1616) was an English dramatist, poet, and actor, generally regarded as the greatest playwright of all. His works have been performed more frequently and in more languages than those of any other dramatist in history. The official Shakespearean canon comprises the 36 plays of the first folio (1623), two collaborative contributions, the Sonnets, the long poems The Rape of Lucrece and Venus and Adonis, and a few lyrics. Most scholars now accept that he also wrote some scenes and speeches in the chronicle plays Edward III and Sir Thomas More. Of Shakespeare's life little is certainly known apart from the approximate dates of his birth, marriage to Anne Hathaway, and death. From 1592 it is possible to find references to Shakespeare's early plays in the works of other writers and contemporary records show that he was also much admired for his poetry. Despite this, reliable information about Shakespeare's personal life, character, and beliefs remains virtually nonexistent, leading to much speculation on the basis of the plays. Shakespeare's first work for the stage is usually considered to be the three parts of Henry VI, although the imprecise dating of his plays makes even this uncertain. By the mid 1590s Shakespeare was a shareholder in the Chamberlain's Men, who were later to become the King's Men. From 1599 his plays were presented at the new Globe Theatre, in which he owned a tenth share. The great tragedies that are usually seen as the summit of his achievement were written over the next six or seven years. By about 1610 he had made enough money to retire to the second largest house in Stratford. He had been dead for seven years before two of his friends arranged and paid for the publication of the First Folio. The theory that Shakespeare was not the writer of the works attributed to him was first put forward by Herbert Lawrence in 1769. "The striking peculiarity of Shakespear's mind was its generic quality, its power of communication with all other minds - so that it contained a universe of thought and feeling within itself, and had no one peculiar bias, or exclusive excellence more than another. He was just like any other man, but that he was like all other men. He was the least of an egotist that it was possible to be. He was nothing in himself; but he was all that others were, or that they could become", William Hazlitt: Lectures on the English Poets (1818).

Zitat
'The Tempest is a play that insists on both a dreaminess and its metaphysical significance.' Henry Hitchings, Evening Standard 15.6.10 'It's often said The Tempest is better read than performed.' Christopher Hart, Sunday Times, 4.7.10 'Because the Vaughans are steeped in The Tempest, having both produced separate volumes about the play, their attempts to cram in as much detail as possible into the introduction makes for a very dense read. But refreshingly their work lacks an agenda; probably because they've worked through their own opinions elsewhere they're more relaxed about simply presenting the arguments of others and letting the reader decide as to their merits, pleasingly giving due prominence to contemporary thinkers like Bate, Wells and Kermode.' Stuart Ian Burns, The Hamlet Weblog, 30.8.11 The Vaughans devote twenty-two new pages to an account of the latest scholarship, including new new suggestions for sources and comparisons for the play... The new pages are a sound and worthwhile addition to an edition that was good already. -- Raphael Lyne Times Literary Supplement 20130419
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Einband Taschenbuch
Herausgeber Virginia M. Vaughan Alden T. Vaughan
Seitenzahl 390
Erscheinungsdatum 08.2011
Sprache Englisch
ISBN 978-1-4081-3347-7
Verlag Bloomsbury Academic
Maße (L/B/H) 198/130/27 mm
Gewicht 445
Buch (Taschenbuch, Englisch)
9,99
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