This is a story about rivalry among artists. Not the kind of rivalry that grows out of hatred and dislike, but rather, rivalry that emerges from admiration, friendship, love. The kind of rivalry that existed between Degas and Manet, Picasso and Matisse, Pollock and de Kooning, and Freud and Bacon. These were some of the most famous and creative relationships in the history of art, driving each individual to heights of creativity and inspiration - and provoking them to despair, jealousy and betrayal. Matisse's success threatened Picasso so much that his friends would throw darts at a portrait of his rival's beloved daughter Marguerite, shouting 'there's one in the eye for Matisse!' And Willem de Kooning's twisted friendship with Jackson Pollock didn't stop him taking up with his friend's lover barely a year after Pollock's fatal car crash. In The Art of Rivalry , Pulitzer Prize-winning art critic Sebastian Smee explores how, as both artists struggled to come into their own, they each played vital roles in provoking the other's creative breakthroughs - ultimately determining the course of modern art itself.
The keynotes of Sebastian Smee's criticism have always included a fine feeling for the what of art - he knows how to evoke the way pictures really strike the eye - and an equal sense of the how of art: how art emerges from the background of social history. To these he now adds a remarkable capacity for getting down the who of art - the enigma of artist's personalities, and the way that, two at a time, they can often intersect to reshape each in the other¹s image. With these gifts all on the page together, The Art of Rivalry gives us a remarkable and engrossing book on pretty much the whole of art. Adam Gopnik
Sebastian Smee hat Kunstgeschichte studiert und ist heute einer der einflussreichsten Kunstkritiker der englischsprachigen Szene.