Demi-Gods

(1)
A bold debut novel reminiscent of Emma Cline's The Girls; a story of love, lust and the spaces in between, from a 'captivating' (New York Times) new voice in fiction

It is 1950, and Willa's mother has a new beau. The arrival of his blue-eyed, sun-kissed sons at Willa's summer home signals the end of her safe childhood. As her entrancing older sister Joan pairs off with Kenneth, nine-year-old Willa is drawn to his strange and solitary younger brother, Patrick.
Left to their own devices, Willa is swept up in Patrick's wicked games. As they grow up, their encounters become increasingly charged with sexuality and degradation. But when Willa finally tries to reverse the trajectory of their relationship, an act of desperation has devastating results.
Unfolding between the wild freedoms of British Columbia and the glittering beaches of California, Demi-Gods explores a girl's attempt to forge a path of her own choosing in a world where female independence is suspect. Sensitive, playful and entirely original, Eliza Robertson is one of the most exciting new voices in contemporary literature.
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Gripping, original and richly descriptive ... A daring page-turner to devour in one sitting Daily Express
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Einband Taschenbuch
Seitenzahl 240
Erscheinungsdatum 02.11.2017
Sprache Englisch
ISBN 978-1-4088-9040-0
Verlag Bloomsbury Publishing
Maße (L/B/H) 21,6/13,4/2,2 cm
Gewicht 260 g
Buch (Taschenbuch, Englisch)
11,99
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Demi-Gods
von miss.mesmerized am 26.10.2017
Bewertet: Einband: gebundene Ausgabe

Summertime in the early 1950s. Willa and her older sister Joan would like to have a relaxing time at their summer home together with their mom. But the mother has a new lover, Eugene, and to the girls‘ surprise, Eugene has invited his two sons to spend the summer... Summertime in the early 1950s. Willa and her older sister Joan would like to have a relaxing time at their summer home together with their mom. But the mother has a new lover, Eugene, and to the girls‘ surprise, Eugene has invited his two sons to spend the summer with them. Kenneth and Patrick are slightly older than the girls immediately attract their attention. No, they definitely are not like brothers and sisters, Joan and Kenneth quickly fall for each other. For Willa and Patrick things are not that easy. Over the next years, they regularly meet and between Willa and Patrick a strange connection is formed. On the one hand, the boy can arouse feelings in her, but on the other, what he is doing to her repels her and she senses that his behaviour is far from being normal and acceptable. But what is there she can to about it? It will take years until she can free herself. “Demi-God” – according to the Merriam-Webster definition, it is a mythological being with more power than a mortal but less than a god or a person so outstanding as to seem to approach the divine. For all female members of the family, the male counterparts are somehow demi-gods, at least in so far as they cannot refrain from their attraction. The mother is charmed by Eugene, Joan falls for Kenneth and also Willa has a special liking for Patrick. It is not quite clear what makes those three that outstanding, but their appeal is obvious. They can exert power over the women in different ways, but it is only Patrick how openly abuses this. Before coming to this, what I liked especially about the novel was the atmosphere. You can sense immediately that Eliza Robertson is great at creating certain moods and you actually can feel this carefree time of being young during summer holidays when the days seem endless, when the sun is shining and when there are no worries and fears. I also appreciated her characters, first of all the mother who is neither completely stereotypical but nevertheless clearly represents a certain kind of woman of her time. In the focus of the novel are the girls and their relationship. It is not always easy to be sisters, at times they can confide in each other, at others they can’t. Yet, there is something like unconditional love between them, if one needs the other, she can surely count on her. In this nice and loving ambiance now enters the evil that can be found in human beings. To name it openly, the novel is about sexual abuse, about menacing and exerting power over a weaker person. Willa is first too young, then unsure of how to react and how to qualify what happens to her. It is not the all bad and awful situation – this is what makes the novel especially impressive. It only happens at single instances, partly, she isn’t even sure if she did actually refuse it or even contributed to it happening. This makes it even more awful, because the girl is left alone with her feelings and worries. She plays normal and hides what has happened. It does not take much to imagine that there might be millions of girls out there suffering from the same abuse and feeling helpless and powerless. Thus, the novel takes up a very serious topic and hopefully some readers might recognize that what Willa is going through is far from acceptable and can find a way of seeking help if they are in need.


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