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My Year of Rest and Relaxation

Nominiert: Wellcome Book Prize 2019

Ottessa Moshfegh

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Beschreibung

FROM THE MAN BOOKER-SHORTLISTED AUTHOR OF EILEEN

THE NEW YORK TIMES BESTSELLER

'Savage, funny, frequently on the verge of teetering into lunacy... My Year of Rest and Relaxation is a non-negotiable in your holiday carry-on this summer' Vogue

It's the year 2000 in a city aglitter with wealth and possibility; what could be so terribly wrong?

Our narrator has many of the advantages of life: Young, thin, pretty, a recent Columbia graduate, she lives in an apartment on the Upper East Side of Manhattan paid for, like everything else, by her inheritance. But there is a vacuum at the heart of things, and it isn't just the loss of her parents in college, or the way her Wall Street boyfriend treats her, or her sadomasochistic relationship with her alleged best friend.

Blackly funny, both merciless and compassionate - dangling its legs over the ledge of 9/11 - My Year of Rest and Relaxation is a showcase for the gifts of one of America's major young writers.

"The book that everybody's talking about... I read it and was entranced." The Times

Produktdetails

Einband Taschenbuch
Seitenzahl 304
Erscheinungsdatum 02.05.2019
Sprache Englisch
ISBN 978-1-78470-742-2
Verlag Random House Children's Books
Maße (L/B/H) 19,5/12,8/2,5 cm
Gewicht 216 g
Verkaufsrang 4476

Kundenbewertungen

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Well...
von einer Kundin/einem Kunden aus Preding am 18.04.2020
Bewertet: Einband: Taschenbuch

Es war tragikkomisch. Manchmal musste ich spontan laut loslachen, dann war ich wieder geschockt von der nonchalance mit der manche Themen abgehandelt werden. Absolut lesenswert, aba nix für schwache Nerven.

Loved it
von einer Kundin/einem Kunden aus Mannheim am 23.08.2019

Funny, dark and in a way hopeful. I loved the novel from beginning to end, but I'm sure not everyone can stomach it because of its dark themes. One of my fav books of all times.

My Year of Rest and Relaxation
von Miss.mesmerized am 12.08.2018
Bewertet: Einband: gebundene Ausgabe

Looking at her from the outside, she has everything one could wish for: she is blond, pretty, thin, a Columbia graduate, stylish without effort and she has a job at a gallery. Due to her inheritance, she can afford an apartment on the Upper East Side of Manhattan. But that’s just one side of the medal, her relationship with Trev... Looking at her from the outside, she has everything one could wish for: she is blond, pretty, thin, a Columbia graduate, stylish without effort and she has a job at a gallery. Due to her inheritance, she can afford an apartment on the Upper East Side of Manhattan. But that’s just one side of the medal, her relationship with Trevor has been all but healthy, her parents never showed any affection and thus losing them both when she was in college was a minor affair. What she is lacking is an aim in life, something that gives her a reason for being alive. She feels exhausted and just wants to sleep until everything is over. She slowly extends her time in bed, she even falls asleep at work and then, finally, she decides to hibernate. A crazy therapist provides her with medication that allows more and more hours of sleep at a time. She hopes that after a year of rest, she will awake as somebody new. Ottessa Moshfegh is a US-American writer who earned a degree in Creative Writing from Brown University and whose short stories were received with positive reviews. After her novella “McGLue”, her first novel “Eileen” was published in 2015 and made it on the shortlist for the 2016 Man Booker Prize. Having chosen a mostly unsympathetic protagonist for her former novel, I found it much easier so sympathise with her narrator in “My Year of Rest and Relaxation”. The young woman who is portrayed is quite typical in a certain way. She is the modern New Yorker who takes part in the glittery art circus, is a part of a subculture of believes itself to be highly reflective and innovative. At a certain point, the superficiality becomes exhausting and the aimless tittle-tattle and prattle don’t provide any deeper insight. “The art at Ducat was supposed to be subversive irreverent, shocking, but was all just canned counterculture crap, “punk, but with money”. Also her relationship does not go beyond superficial sex and one-night-stands that lead to nothing. Added to this is the easy availability of all kinds of drugs, of therapists who themselves are too crazy to detect any serious illness in their clients and therefore just fill in any prescription they are asked for. Even though the plot starts in 2000, the characters are quite typical for the 1990s and they need a major event to wake them up and bring them back to real life. The narrator tries to flee the world and takes more and more pills mixed with each other, as a result she is sleepwalking, even gets a new haircuts and orders masses of lingerie without knowing. Her radius is limited to her blog, her only human contacts are the Egyptians at the bodega at the corner where she buys coffee, the doorman of her apartment house and Reva, her best friend who still cares about her. Even though she is bothered by the things she does when she is not awake, she has become that addicted that she cannot let go anymore. Even though the protagonist is highly depressive and seeing how badly she copes with her life is hard to endure in a way, the novel is also hilarious. I especially liked her meetings with her therapist since Dr. Tuttle is riotous in her eccentric ways and their dialogues are highly comical – despite the earnestness of their actual topics. Ottessa Moshfegh most certainly earns a place among to most relevant authors of today.


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