Bernardine Evaristo - Girl, Woman, Other
Twelve different women, twelve different fates. Bernardine Evaristo was awarded the Man Booker Prize 2019 for her novel which does not have a real plot with an all-embracing story but for each of the main characters offers a short insight in their life often at crucial turning point. Their stories overlap, are often cleverly int... Twelve different women, twelve different fates. Bernardine Evaristo was awarded the Man Booker Prize 2019 for her novel which does not have a real plot with an all-embracing story but for each of the main characters offers a short insight in their life often at crucial turning point. Their stories overlap, are often cleverly intertwined. What they share is the fact that they address fundamental topics: first of all, I’d say “Girl, Woman, Other“ is a feminist novel since the cause of the woman in modern England, mostly the black woman, is the central topic. Apart from this, relationships, sexuality and gender identity are tackled as well as politics and what it means to be successful. “His bredren and sistren could damned well speak up for themselves. Why should he carry the burden of representation when it will only hold him back? White people are only required to represent themselves, not an entire race.” What does it mean to be different? To be black or brown in a predominantly white community. To be homosexual or gender fluid in a primarily heterosexual society. To be a working woman when women are supposed to stay at home to take care of the children and the household. Even when the point of disdain has been overcome, the problems and strange reactions have not necessarily and quite often, the singular example who enters a new community has to represent a whole group and loses his or her individuality. What the characters unites is to differ from the mainstream which does not go unnoticed and uncommented. Most of them go through a tough time which leaves them stronger and makes it easy to empathise with them. The characters are complex, their lives are complicated and at the end of their chapter, they are not the same person they were at the beginning. Which also offers the reader the chance to leave their stand point and to change perspective on certain topics. The novel is full of life and with the award, the spotlight has been turned on to black female and queer literature which have been awfully underrepresented in literary discussion. This is surely one of the strongest novels of 2019 since it contributes to the ongoing public discourse.
Girl, Woman, Other: A Novel (Booker Prize Winner)
A Novel (Booker Prize Winner)
WINNER OF THE BOOKER PRIZE
“A must-read about modern Britain and womanhood . . . An impressive, fierce novel about the lives of black British families, their struggles, pains, laughter, longings and loves . . . Her style is passionate, razor-sharp, brimming with energy and humor. There is never a single moment of dullness in this book and the pace does not allow you to turn away from its momentum.”—Booker Prize Judges
Bernardine Evaristo is the winner of the 2019 Booker Prize and the first black woman to receive this highest literary honor in the English language. Girl, Woman, Other is a magnificent portrayal of the intersections of identity and a moving and hopeful story of an interconnected group of Black British women that paints a vivid portrait of the state of contemporary Britain and looks back to the legacy of Britain’s colonial history in Africa and the Caribbean.
The twelve central characters of this multi-voiced novel lead vastly different lives: Amma is a newly acclaimed playwright whose work often explores her Black lesbian identity; her old friend Shirley is a teacher, jaded after decades of work in London’s funding-deprived schools; Carole, one of Shirley’s former students, is a successful investment banker; Carole’s mother Bummi works as a cleaner and worries about her daughter’s lack of rootedness despite her obvious achievements. From a nonbinary social media influencer to a 93-year-old woman living on a farm in Northern England, these unforgettable characters also intersect in shared aspects of their identities, from age to race to sexuality to class.
Sparklingly witty and filled with emotion, centering voices we often see othered, and written in an innovative fast-moving form that borrows technique from poetry, Girl, Woman, Other is a polyphonic and richly textured social novel that shows a side of Britain we rarely see, one that reminds us of all that connects us to our neighbors, even in times when we are encouraged to be split apart.