Meine Filiale

Slaughter-House-Five

A Novel

Kurt Vonnegut

(2)
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Beschreibung

“A desperate, painfully honest attempt to confront the monstrous crimes of the twentieth century.”—Time

 

Selected by the Modern Library as one of the 100 best novels of all time

 

Slaughterhouse-Five, an American classic, is one of the world’s great antiwar books. Centering on the infamous World War II firebombing of Dresden, the novel is the result of what Vonnegut describes as a twenty-three-year struggle to write a book about what he himself witnessed as an American prisoner of war. It combines science fiction, autobiography, humor, historical fiction, and satire in an account of the life of Billy Pilgrim, a barber’s son turned draftee turned optometrist turned alien abductee. Billy, like Vonnegut, experiences the destruction of Dresden as a POW, and, as with Vonnegut, it is the defining moment of his life. Unlike the author, he also experiences time travel, or coming “unstuck in time.” Billy Pilgrim’s odyssey reflects the mythic journey of our own fractured lives as we search for meaning in what we fear most.

Praise for Slaughterhouse-Five

“Poignant and hilarious, threaded with compassion and, behind everything, the cataract of a thundering moral statement.”
—The Boston Globe


“Very tough and very funny . . . sad and delightful . . . very Vonnegut.”
—New York Times


“Splendid art . . . a funny book at which you are not permitted to laugh, a sad book without tears.”
—Life

"Poignant and hilarious, threaded with compassion and, behind everything, the cataract of a thundering moral statement."-The Boston Globe

"Very tough and very funny . . . sad and delightful . . . very Vonnegut."-The New York Times

"Splendid . . . a funny book at which you are not permitted to laugh, a sad book without tears."-Life

"Funny, satirical, compelling, outrageous, fanciful, mordant, fecund . . . 'It's too good to be science fiction,' [the critics] would say. But Vonnegut doesn't care, and you won't care, either, because this is a writer who leaps over genres."-Los Angeles Times

Kurt Vonnegut’s black humor, satiric voice, and incomparable imagination first captured America’s attention in
The Sirens of Titan in 1959, and established him as “a true artist” (
The New York Times) with
Cat’s Cradle in 1963. He was, as Graham Greene declared, “one of the best living American writers.” Kurt Vonnegut died in April 2007.

"Slaughterhous-Five is one of the world's great anti-war books. Centering on the infamous fire-bombing of Dresden, Billy Pilgrim's odyssey through time reflects the mythic journey of our own fractured lives as we search for meaning in what we are afraid to know."

Produktdetails

Einband Taschenbuch
Seitenzahl 224
Erscheinungsdatum 01.01.1991
Sprache Englisch
ISBN 978-0-440-18029-6
Verlag Random House LCC US
Maße (L/B/H) 17,5/10,3/2 cm
Gewicht 111 g
Verkaufsrang 2084

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So it goes...
von Elisabeth aus Wien am 27.01.2015

Die Geschichte handelt von Billy Pilgrim, einem Optiker aus Amerika, der als Soldat in den Zweiten Weltkrieg zieht und bei der Bombardierung Dresdens dabei ist. Sein größtes Problem ist jedoch, dass er die Zeit nicht chronologisch erlebt, so wie wir es kennen, sondern in seiner eigenen Timeline hin und her wechseln kann. Egal we... Die Geschichte handelt von Billy Pilgrim, einem Optiker aus Amerika, der als Soldat in den Zweiten Weltkrieg zieht und bei der Bombardierung Dresdens dabei ist. Sein größtes Problem ist jedoch, dass er die Zeit nicht chronologisch erlebt, so wie wir es kennen, sondern in seiner eigenen Timeline hin und her wechseln kann. Egal welche Reihenfolge. Schlachthof 5 schwenkt zwischen Tatsachen und Fiction hin und her ohne dabei an Sinnhaftigkeit zu verlieren. Vonnegut vermittelt eine klare Anti-Kriegs-Botschaft, die einen zum Denken anregt. Für alle, die eine gute Satire zu schätzen wissen

Krasses Buch!
von einer Kundin/einem Kunden aus Ascona am 02.03.2013
Bewertet: Einband: Taschenbuch

Ein unglaublich gutes Buch. Englische Literatur...Die Geschichte von Billy Pilgrim ist einfach abgedreht und krass. Sie fängt normal an und verwandelt sich dann in eine Science-Fiction-Fantasy-Thriller Story. Absolut empfehlenswert!

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  • Chapter One

    All this happened, more or less. The war parts, anyway, are pretty much true. One guy I knew really was shot in Dresden for taking a teapot that wasn't his. Another guy I knew really did threaten to have his personal enemies killed by hired gunmen after the war. And so on. I've changed all the names.

    I really did go back to Dresden with Guggenheim money (God love it) in 1967. It looked a lot like Dayton, Ohio, more open spaces than Dayton has. There must be tons of human bone meal in the ground.

    I went back there with an old war buddy, Bernard V. O'Hare, and we made friends with a cab driver, who took us to the slaughterhouse where we had been locked up at night as prisoners of war. His name was Gerhard Müller. He told us that he was a prisoner of the Americans for a while. We asked him how it was to live under Communism, and he said that it was terrible at first, because everybody had to work so hard, and because there wasn't much shelter or food or clothing. But things were much better now. He had a pleasant little apartment, and his daughter was getting an excellent education. His mother was incinerated in the Dresden fire-storm. So it goes.

    He sent O'Hare a postcard at Christmastime, and here is what it said:

    "I wish you and your family also as to your friend Merry Christmas and a happy New Year and I hope that we'll meet again in a world of peace and freedom in the taxi cab if the accident will."

    I like that very much: "If the accident will."

    I would hate to tell you what this lousy little book cost me in money and anxiety and time. When I got home from the Second World War twenty-three years ago, I thought it would be easy for me to write about the destruction of Dresden, since all I would have to do would be to report what I had seen. And I thought, too, that it would be a masterpiece or at least make me a lot of money, since the subject was so big.

    But not many words about Dresden came from my mind then -- not enough of them to make a book, anyway. And not many words come now, either, when I have become an old fart with his memories and his Pall Malls, with his sons full grown.

    I think of how useless the Dresden part of my memory has been, and yet how tempting Dresden has been to write about, and I am reminded of the famous limerick:

    There was a young man from Stamboul, Who soliloquized thus to his tool: "You took all my wealth And you ruined my health, And now you won't pee, you old fool."

    And I'm reminded, too, of the song that goes:

    My name is Yon Yonson, I work in Wisconsin, I work in a lumbermill there. The people I meet when I walk down the street, They say, "What's your name?" And I say, My name is Yon Yonson, I work in Wisconsin..."

    And so on to infinity.

    Over the years, people I've met have often asked me what I'm working on, and I've usually replied that the main thing was a book about Dresden.

    I said that to Harrison Starr, the movie-maker, one time, and he raised his eyebrows and inquired, "Is it an anti-war book?"

    "Yes," I said. "I guess."

    "You know what I say to people when I hear they're writing anti-war books?"

    "No. What do you say, Harrison Starr?"

    "I say, 'Why don't you write an anti-glacier book instead?' "

    What he meant, of course, was that there would always be wars, that they were as easy to stop as glaciers. I believe that, too.

    And even if wars didn't keep coming like glaciers, there would still be plain old death.

    When I was somewhat younger, working on my famous Dresden book, I asked an old war buddy named Bernard V. O'Hare if I could come to see him. He was a district attorney in Pennsylvania. I was a writer on Cape Cod. We had been privates in the war, infantry scouts. We had never expected to make any money after the war, but we were doing quite well.

    I had the Bell Telephone Company find him for m