Inspector William Monk: In search of justice, he will not stop until he has found the truth.
1864: When the body of a brutally mutilated body of a woman is found on Limehouse Pier, Monk's enquiries into her death unearth a suspicious connection between the victim and Dr Lambourn, a recently deceased scientist and staunch supporter for a new pharmaceutical bill aimed to regulate the sale of opium.
Investigating further, Monk learns that Lambourn's widow refuses to believe that her husband's death was suicide; she is convinced that he was murdered by government officials intent on keeping the lucrative trade of opium flowing.
With pressure mounting for the police to find the Limehouse killer, Monk is propelled headlong into an investigation that will delve the darkest depths of the opium trade and threatens to expose corruption in the very highest echelons of society...
'The eighteenth Monk novel is a brilliant Victorian police procedural in which well-realized characters and settings are fascinating in themselves. And, as in all her Monk novels, Perry exhumes and exhibits yet another of the Victorian era's social evils' Booklist
Anne Perry is a New York Times bestselling author noted for her memorable characters, historical accuracy and exploration of social and ethical issues. Her two series, one featuring Thomas Pitt and one featuring William Monk, have been published in multiple languages. Anne Perry has also published a successful series based around World War One and the Reavley family, and the recent standalone novel The Sheen on the Silk. Anne Perry was selected by The Times as one of the twentieth century´s ´100 Masters of Crime´.
'The eighteenth Monk novel is a brilliant Victorian police procedural in which well-realized characters and settings are fascinating in themselves. And, as in all her Monk novels, Perry exhumes and exhibits yet another of the Victorian era's social evils' -- Booklist 'Anne Perry's Victorian mysteries are marvels of plot construction... What makes the plot truly remarkable, however, is the way Perry uses it to dramatize not the petty street crimes commited byt the poor but the lucrative trade of merchants who deal in drugs and human flesh' -- New York Times