Beschreibung
Produktdetails
Einband
Taschenbuch
Erscheinungsdatum
25.10.2013
Verlag
VDMSeitenzahl
196
Maße (L/B/H)
22,1/15,1/1,7 cm
Gewicht
308 g
Sprache
Englisch
ISBN
978-3-639-07839-8
2008 marks 40 years of Red Ladder Theatre Company. In
1968, a large number of agit prop theatre companies
mushroomed in Britain. The Agit Prop Street Players
who later renamed themselves as Red Ladder was one.
With time other theatre companies surrendered to and
became part of theatre history. Not so Red Ladder. It
has survived and it is now time for a reassessment.
Is agit prop theatre dead or alive? How does such
theatrical practice contribute to society/community?
These are only some of the questions the book
explores. It looks back at all the anger that led to
the emergence of Red Ladder and how it surged ahead
as a leading youth theatre company in a multicultural
Britain of today. An analysis of the plays of Red
Ladder, of their techniques of performance and
production, an in-depth study of the changing
artistic and other policies of the Company are some
of the features of this book. The book's
distinctiveness lies in the textual analysis of the
plays and the investigative nature of the research
undertaken. To anyone interested in theatre history,
past and presently in the making, whether as a
practitioner or for purely academic purposes, this
book will be insightful.
1968, a large number of agit prop theatre companies
mushroomed in Britain. The Agit Prop Street Players
who later renamed themselves as Red Ladder was one.
With time other theatre companies surrendered to and
became part of theatre history. Not so Red Ladder. It
has survived and it is now time for a reassessment.
Is agit prop theatre dead or alive? How does such
theatrical practice contribute to society/community?
These are only some of the questions the book
explores. It looks back at all the anger that led to
the emergence of Red Ladder and how it surged ahead
as a leading youth theatre company in a multicultural
Britain of today. An analysis of the plays of Red
Ladder, of their techniques of performance and
production, an in-depth study of the changing
artistic and other policies of the Company are some
of the features of this book. The book's
distinctiveness lies in the textual analysis of the
plays and the investigative nature of the research
undertaken. To anyone interested in theatre history,
past and presently in the making, whether as a
practitioner or for purely academic purposes, this
book will be insightful.
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