Beschreibung
Produktdetails
Einband
Taschenbuch
Erscheinungsdatum
25.10.2013
Verlag
VDMSeitenzahl
68
Maße (L/B/H)
22/15,3/1 cm
Gewicht
120 g
Sprache
Deutsch
ISBN
978-3-639-08993-6
I find the representation of this character
particularly beautiful, externally deformed and
ridiculous and internally impassioned and full of
love. Giuseppe Verdi December 14, 1850.
Rigoletto has long been viewed as one of Verdi s
greatest operas and rightfully represents one of the
outstanding examples of drama and characterization
through music in all of the operatic literature.
This book explores in-depth the development of the
title role of Rigoletto. Verdi s first documented
interest in Victor Hugo s banned play, Le roi
s amuse, his battles with the censors and the
critical reaction of the first performance are
clearly presented. Walters approach is unique, in
that the main body of his research focuses on
musical examples that demonstrate Verdi s
compositional technique and how he delineated the
separate worlds of Rigoletto s character: the
deformed, bitter, court jester and the impassioned,
loving father. This book will be beneficial to
anyone seeking an example of clear writing about
music analysis and operatic characterization.
particularly beautiful, externally deformed and
ridiculous and internally impassioned and full of
love. Giuseppe Verdi December 14, 1850.
Rigoletto has long been viewed as one of Verdi s
greatest operas and rightfully represents one of the
outstanding examples of drama and characterization
through music in all of the operatic literature.
This book explores in-depth the development of the
title role of Rigoletto. Verdi s first documented
interest in Victor Hugo s banned play, Le roi
s amuse, his battles with the censors and the
critical reaction of the first performance are
clearly presented. Walters approach is unique, in
that the main body of his research focuses on
musical examples that demonstrate Verdi s
compositional technique and how he delineated the
separate worlds of Rigoletto s character: the
deformed, bitter, court jester and the impassioned,
loving father. This book will be beneficial to
anyone seeking an example of clear writing about
music analysis and operatic characterization.
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