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Art Practice as Research Inquiry in Visual Arts

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Beschreibung

Produktdetails

Einband

Taschenbuch

Erscheinungsdatum

24.11.2009

Verlag

SAGE Publications

Seitenzahl

312

Maße (L/B/H)

23,5/19,1/1,7 cm

Gewicht

586 g

Auflage

2. Auflage

Sprache

Englisch

ISBN

978-1-4129-7451-6

Beschreibung

Rezension

"F. Scott Fitzgerald famously said that the test of a 'first rate intelligence' is 'the ability to hold two opposed ideas in the mind and still retain the ability to function.'

In this book, his magnum opus, artist and scholar Graeme Sullivan shows us a first rate mind at work. He convincingly straddles the often wide gaps between art and science, mind and body, research and practice, teaching and doing, traditional and postmodern views of education and of art, creative and critical thinking. Indeed, as his enigmatic title indicates, he is actually able to keep three usually disparate concepts-art, research, and practice-in mind at the same time. Through his skilled use of compelling sidebars and apt illustrations, Sullivan shows that he can practice what he preaches. I have been arguing with and learning from Graeme for thirty years and am grateful that he has the opportunity to share his provocative ideas and insights with a wider readership. Indeed, whether or not we agree with every contention, he heightens our own intelligences." Howard Gardner 20091001

Produktdetails

Einband

Taschenbuch

Erscheinungsdatum

24.11.2009

Verlag

SAGE Publications

Seitenzahl

312

Maße (L/B/H)

23,5/19,1/1,7 cm

Gewicht

586 g

Auflage

2. Auflage

Sprache

Englisch

ISBN

978-1-4129-7451-6

EU-Ansprechpartner

Kolibri 360 GmbH
Ettore-Bugatti-Straße 6-14
51149 Köln
DE
produktsicherheit@kolibri360.de

Herstelleradresse

SAGE Publications
1 Oliver's Yard 55 City Road
EC1Y 1SP London
GB
orders@sagepub.co.uk

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  • Produktbild: Art Practice as Research
  • Produktbild: Art Practice as Research
  • Preface to the Second Edition
    Acknowledgments
    Introduction: Re-Viewing Visual Arts Research
    Changing Demands of Visual Arts Theory and Practice
    Art Practice as Research
    Using Art Practice as Research
    PART I: CONTEXTS FOR ART PRACTICE AS RESEARCH
    1. Pigment to Pixel
    The Enlightenment as a Research Project
    Promise of Progress
    Fractured Realities
    Conclusion
    2. Paradigms Lost
    Method as Truth
    Doubting Doctrines
    The Visual Turn
    Conclusion
    3. Practice and Beyond
    Theorizing Practice
    Practice-Based and Practice-Led Research
    Conclusion
    PART II: THEORIZING ART PRACTICE AS RESEARCH
    4. Art Practice as Research
    Beyond Knowledge to Understanding
    Frameworks of Art Practice as Research
    Art Practice as Relational Research
    Art Practice as Transformative Research
    Conclusion
    5. Visual Knowing
    Visual Cognition
    Visual Arts Knowing: A Framework
    Visual Arts as Transcognitive Practice
    A Case Study: Critical Influence
    Conclusion
    6. Artist as Theorist
    Sites of Making
    Reemergence of the Artist-Theorist
    Critical Perspectives and Practices
    Conclusion
    PART III: VISUAL ARTS RESEARCH PRACTICES
    7. Visualizing Practices
    A Framework of Visual Arts Practices
    Visual Practice: Experiences
    Empirical Inquiry: Exercises
    Interpretive Discourse: Encounters
    Critical Process: Enactments
    Conclusion
    8. Visual Arts Projects
    Exhibition and Performance
    Visual Arts Research Projects
    Solid Endings and Liquid Beginnings
    Uncertain Conclusions
    References
    Index