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Produktbild: Saul Bass

Saul Bass A Life in Film & Design

68,99 €

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Beschreibung

Produktdetails

Einband

Gebundene Ausgabe

Altersempfehlung

0 - 99 Jahr(e)

Erscheinungsdatum

01.05.2018

Abbildungen

mit 1484 Abbildungen

Verlag

Laurence King Publishing

Seitenzahl

440

Maße (L/B/H)

30/27,1/4,5 cm

Gewicht

3092 g

Auflage

7. Auflage

Sprache

Englisch

ISBN

978-1-85669-752-1

Beschreibung

Zitat

."..the first major book on his work....the book paints an engaging picture of Bass as a vigorous, highly disciplined man with a gift for friendship and sense of fun."--The New York Times, and this same review by Alice Rawsthorn also appeared in the INTERNATIONAL HEARLD TRIBUNE.

Produktdetails

Einband

Gebundene Ausgabe

Altersempfehlung

0 - 99 Jahr(e)

Erscheinungsdatum

01.05.2018

Abbildungen

mit 1484 Abbildungen

Verlag

Laurence King Publishing

Seitenzahl

440

Maße (L/B/H)

30/27,1/4,5 cm

Gewicht

3092 g

Auflage

7. Auflage

Sprache

Englisch

ISBN

978-1-85669-752-1

Herstelleradresse

Libri GmbH
Europaallee 1
36244 Bad Hersfeld
DE

Email: gpsr@libri.de

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  • Produktbild: Saul Bass
  • Introduction Foreword by Martin Scorsese Chapter 1 Early Life of Saul Bass, the son of Russian immigrants, born in New York in 1920, moved to Hollywood in 1946 to work in movie advertising, and the establishment of his own design office in 1952. Chapter 2 Saul Bass as a 'Renaissance' designer. The broad range of his work is described in this chapter, from little known work for movies such as No Way Out (1952) and On The Threshold of Space (1956), record covers (for Frank Sinatra and Elmer Bernstein among others), book covers, book illustration, posters and packaging to the design of playgrounds, a veterinary hospital, public sculpture and exhibitions, as well a wide range of advertising for local California businesses. Chapter 3 This chapterl ooks at advertising, posters and title sequences for more than forty films, including Carmen Jones (1954), Around the World in Eighty Days (1956), Bonjour Tristesse (1957), Saint Joan (1957), Vertigo (1958), North by Northwest (1959), Psycho (1960), Exodus (1960), Spartacus (1960), West Side Story (1961), Walk on the Wild Side (1962), In Harm's Way (1965), Grand Prix (1966) and The Human Factor (1980). Chapter 4 Covers the short films made by Saul and Elaine Bass between 1962 and 1983,. The films include the Oscar-winning Why Man Creates (1968, made for Kaiser Aluminum) and two Oscar-nominated ones - The Solar Film (1980, Robert Redford, Executive Producer) and Notes on the Popular Arts (1977, made for Warner Communications). This chapter also includes a discussion of Saul Bass's only feature film - the now cult science-fiction flick, Phase IV (1974, Paramount Pictures). Chapter 5 Later work, film titles from 1987 to 1995. Includes Broadcast News (1987), Big and The War of the Roses (1988 and 1989) the Sino-Japanese production Tonko (1988), Mr Saturday Night (1992) and Higher Learning (1995) as well as four for director Martin Scorsese (Goodfellas 1990; Cape Fear 1991; The Age of Innocence 1993, and Casino 1995). Chapter 6 Corporate identity, including work for Lawry Food Company (1959), ALCOA (1961), Continental Airlines (1967), United Airlines (1972) and AT&T (late 1970s to the 1990s). By the early 1990s Saul Bass had more corporate clients in Japan than in the USA and this chapter includes detailed coverage of his commissions in Japan including identity campaigns for major international players such as Minolta and JOMO. Postscript The final chapter includes posters and other work done by Saul Bass for non-profit organizations or causes dear to his heart, as well as other miscellaneous work, and statements made by him on a range of topics from the design process and responsible design, to creativity.