The Depiction of Class and Self-Created Identity in "The Buddha of Suburbia"
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Sprache:Englisch
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Produktdetails
Format
Kopierschutz
Nein
Family Sharing
Nein
Text-to-Speech
Nein
Erscheinungsdatum
19.02.2010
Verlag
GRINSeitenzahl
22 (Printausgabe)
Dateigröße
479 KB
Auflage
1. Auflage
Sprache
Englisch
EAN
9783640543113
This paper is not intended to be added to this long list. I rather want to concentrate on how diverse and comprehensively the topic of class is approached by Kureishi, how class is depicted. For this reason, I want start with some more general facts about lower middle class, but will try to directly compare them to the contents of The Buddha of Suburbia.
Secondly, I aim to show how, especially, class is depicted and to describe what makes someone belong to a certain class. How is affiliation expressed and how can one distinguish from other social groups? What does influence our thoughts and beliefs, and why do people want to break out? In regard to this, I will pay special attention to how the suburbs are presented in the novel and to what extent they differ from London.
Finally, I want to examine in how far London offers a chance to flee suburbia and lower middle class influences. Does the anonymity of England's capital provide the basis for a new self, to create something new, and leave the past behind? Do people have to surrender, not to say sacrifice, their old identities in order to make it in London? What is the price for climbing the social ladder, and can one find a new, but genuine, self after having left the old behind?
My paper shall answer these questions, it seeks to unfold some of the complexity of Kureishi's début novel and to offer a new approach for interpreting The Buddha of Suburbia.
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