The Paris Fine Art Salon/Le Salon, 1791–1881

«Colloquium proceedings sometimes do not amount to much. This particular collective volume, however, represents a major contribution to scholarship.»
(Robert Lethbridge, Journal of European Studies 45(4) 2015)
"Colloquium proceedings sometimes do not amount to much. This particular collective volume, however, represents a major contribution to scholarship."
(Robert Lethbridge, Journal of European Studies 45(4) 2015)

James Kearns is Emeritus Professor of French Nineteenth-Century Studies in the University of Exeter. He has written extensively on French art criticism, with particular reference to the Paris Fine Art Salon and the art journalism of Theophile Gautier. He is currently one of the team of researchers producing the first critical edition of Gautier’s reviews of the Salon between 1833 and 1872.
Alister Mill completed his doctoral thesis on the Third-Republic Salon painter Alfred Philippe Roll at the Courtauld Institute of Art, where he subsequently spent four years as Visiting Lecturer. As Associate Research Fellow at the University of Exeter he co-produced with Dr Harriet Griffiths and in association with the Louvre’s Archives des Musées Nationaux the online Database of Salon Artists (salonartists.org), and curated the exhibition The Paris Fine Art Salon, 1791–1881.