• Produktbild: The New Woman's Film
  • Produktbild: The New Woman's Film

The New Woman's Film Femme-centric Movies for Smart Chicks

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Beschreibung

Produktdetails

Einband

Taschenbuch

Erscheinungsdatum

06.02.2017

Verlag

Taylor & Francis

Seitenzahl

224

Maße (L/B/H)

22,9/15,2/1,2 cm

Gewicht

332 g

Auflage

1st ed.

Sprache

Englisch

ISBN

978-1-138-18681-1

Beschreibung

Rezension

"This is a very important book, not only for film scholarship but for feminist criticism. It should be recommended reading for anyone interested in the configurations of contemporary cinema outside and inside Conglomerate Hollywood." -Pamela Church-Gibson, London College of Fashion

"With The New Woman's Film, Hilary Radner continues to break crucial new ground in the study of film, feminism, and contemporary culture. Deftly combining textual and industry analysis, Radner charts the rise of a new wave of women's films - and new wave of feminist filmmaking - running against the Conglomerate Hollywood tide." -Thomas Schatz, University of Texas at Austin

"So much more than an examination of the 'chick flick,' Radner's enthusiasm for this genre is contagious, as she supplies consistently perceptive discussions of mainstream and independent movies, cinema releases and television series. The New Woman's Film makes an essential contribution to cinema studies, not least because Radner takes contemporary film seriously and invites us to look afresh at how film and film studies has engaged over the decades with women as subjects and spectators." -Stella Bruzzi, University of Warwick

Produktdetails

Einband

Taschenbuch

Erscheinungsdatum

06.02.2017

Verlag

Taylor & Francis

Seitenzahl

224

Maße (L/B/H)

22,9/15,2/1,2 cm

Gewicht

332 g

Auflage

1st ed.

Sprache

Englisch

ISBN

978-1-138-18681-1

Herstelleradresse

Libri GmbH
Europaallee 1
36244 Bad Hersfeld
DE

Email: GPSR Kontakt

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  • Produktbild: The New Woman's Film
  • Produktbild: The New Woman's Film
  • Introduction: What Do Women Watch?

    Chapter One: After the Woman's Picture: The New Woman's Film and the Chick Flick

    Chapter Two: The New Woman's Film in the Twenty-first Century: The Smart-Chick Film and Rachel Getting Married (Jonathan Demme, 2008)

    Chapter Three: Anticipating the Twenty-first Century: "Dirty Harry Bathed in a Romantic Glow?" and The Bridges of Madison Country (Clint Eastwood, 1995)

    Chapter Four: Nicole Holofcener as the American Female Auteur: "Keeping It Real"-- Walking and Talking (1996), Lovely & Amazing (2002), Friends with Money (2006) Please Give (2010), Enough Said (2013)

    Chapter Five: Stardom, Celebrity and the New Woman's Film: Tilda Swinton and the Maternal Melodrama --"Winning an Oscar Was Wasted on Me"

    Chapter Six: Oscars for Women and the Films of Woody Allen: Blue Jasmine (Woody Allen, 2013)

    Chapter Seven: The Girl Crush: Frances Ha (Noah Baumbach, 2013), "The Toast of Telluride"

    Chapter Eight: Diversity, the Female Biopic and the New Woman's Film: Belle (Amma Asante, 2013)

    Chapter Nine: A Past with a Future, the Ongoing Evolution of the New Woman's Film: From Top of the Lake (Sundance Channel, 2013-) to Fifty Shades of Grey (Sam Taylor-Johnson, 2015)

    Coda: Feminism Redux