Authors in Dialogue Comparative Essays in Nineteenth- and Early Twentieth-Century English Literature
86,35 €
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Beschreibung
Produktdetails
Einband
Gebundene Ausgabe
Erscheinungsdatum
01.06.2020
Verlag
Peter Lang Ltd. International Academic PublishersSeitenzahl
220
Maße (L/B/H)
23,1/15,5/1,7 cm
Gewicht
341 g
Auflage
1. Auflage
Sprache
Englisch
ISBN
978-1-78997-598-7
«A remarkable collection of essays, displaying a far from common theoretical acuteness acting on dauntless erudition. Marucci’s explorations of the ‹dialogic element› in major and minor texts of Victorian and early Modern authors are always interesting and often surprising. When does Marucci, the most ‹Victorian› of Italian critics, find time to read and write so much?» (Francesco Rognoni, Professor of English and American Literature, Università Cattolica del Sacro Cuore – Milan and Brescia)
«Franco Marucci traces a fascinating trajectory that invites us to rethink the works of iconic English authors at the intersection of two centuries. The compelling questions in this collection insightfully reinterpret a literary and cultural transition which, with its multifaceted tensions between tradition and innovation, continues to speak to us.» (Nicoletta Pireddu, Professor of Italian and Comparative Literature, Georgetown University)
«Authors in Dialogue is, therefore, a much-welcomed compendium that gathers many eminent contributions to comparative studies which, now that they are presented together, communicate with each other in intriguing ways and reveal even more thoroughly the author’s critical acumen and coherent system of reasoning.» (Fabio Bazzano, Univ. di Pavia, Review in Il confronto letterario, no. 75)
This book gathers together essays and papers written over a time span of around fifteen years. Partly retitled and revised, they were selected for the book because they all focus on the dialogic element in a series of literary works produced in the period extending from late Romanticism to early Modernism. By «dialogic» the author means the sharing of common preoccupations, the recursiveness of motifs, themes and patterns, the emergence of constants, a network of explicit or hidden confrontations. Dialogues may then arise between an author and other contemporaries in the form of an explicit theoretical discussion in letters or critical essays; or implicitly, and allusively, in inventive negotiations that respond to previous works through parody or adaptation. After a concise introduction stating the author’s theoretical debt to the insightful theories of the Russian semiotician and typologist Yuri Lotman, single essays discuss Byron, Ruskin, George Eliot, Matthew Arnold, Hopkins, Ouida, Joyce and T. S. Eliot.
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