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Produktbild: The Routledge Handbook to Metal Music Composition

The Routledge Handbook to Metal Music Composition Evolution of Structure, Expression, and Production

338,99 €

inkl. gesetzl. MwSt., Versandkostenfrei

Beschreibung

Produktdetails

Einband

Gebundene Ausgabe

Erscheinungsdatum

13.06.2025

Abbildungen

schwarz-weiss Illustrationen, Raster, schwarz-weiss, Zeichnungen, schwarz-weiss

Herausgeber

Lori Burns + weitere

Verlag

Taylor & Francis

Seitenzahl

520

Maße (L/B/H)

26/18,3/3,2 cm

Gewicht

1120 g

Sprache

Englisch

ISBN

978-1-03-240720-3

Beschreibung

Produktdetails

Einband

Gebundene Ausgabe

Erscheinungsdatum

13.06.2025

Abbildungen

schwarz-weiss Illustrationen, Raster, schwarz-weiss, Zeichnungen, schwarz-weiss

Herausgeber

Verlag

Taylor & Francis

Seitenzahl

520

Maße (L/B/H)

26/18,3/3,2 cm

Gewicht

1120 g

Sprache

Englisch

ISBN

978-1-03-240720-3

EU-Ansprechpartner

Taylor & Francis Verlag GmbH
Kaufingerstraße 24
80331 München
DE
GPSR@taylorandfrancis.com

Herstelleradresse

Taylor & Francis Group
5 Howick Place
SW1P 1WG London
UK
GPSR@taylorandfrancis.com

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  • Produktbild: The Routledge Handbook to Metal Music Composition

  • List of Contributors

    List of Figures

    List of Tables

    Acknowledgments

    Contents

    Introduction: Appreciating, Understanding, and Interpreting Metal Music Composition

    Lori Burns and Ciro Scotto

    Part I. Structures

    1. Perspectives on Harmony in Early Heavy Metal: Chords, Modes, Functions, and Texture

    Esa Lilja

    2. Recognizing Tonal Momentum and Echoes of Past Styles in Riff Turnarounds
    Stephen S. Hudson

    3.What is a Riff? A Structural Definition and its Analytical Consequences for Process and Form in Heavy Metal
    Ciro Scotto

    4. Mutually Exclusive Two- and Three-Part Forms in Heavy Metal Songs
    Nolan Stolz

    5. Compound Bridge Sections in Rock and Metal
    Michael Dekovich

    6. Unfulfilled Expectations: Theorizing on Terminally Anti-Climactic Form
    Zach Simonds

    7. Conceived Through an Act of Catharsis: The Phenomenological Allure of the Breakdown
    Owen Morawitz

    8. More than Moshing: Structure, Convention, and Innovation in Extreme Metal Breakdowns
    John Muniz

    9. Half-Time, Standard-Time, and Double-Time Feels in 1980s Crossover Thrash
    David Easley

    10. Systematic Onslaught: The Aesthetics and Functions of Blast Beats in Contemporary Extreme Metal
    Dennis William Lee

    11. Blackened Textures: Black Metal's Sonic Complexity During the Second and Third Waves
    Wolf-Georg Zaddach

    Part II. Expressions and Techniques: Instruments

    12. Traditional Instruments in Global Folk Metal
    Olivia R. Lucas

    13. Primordial Percussion: Drumming in Six Influential Metal Albums
    Jose M. Garza, Jr.

    14. Paradigms of Guitar Performance Practice and the Language of Metal Music
    Mark Marrington

    15. Metal Guitar Techniques as Timbre, Form, and Speed
    Calder Hannan

    16. The Evolution of the Bass Guitar in Metal Music: Its Function in Performance and Compositional Structure
    Shvan Kaban

    17. Keys to Hell: Synthesizers from Early Death Metal to Deathcore
    Tyler Osborne

    Part III. Expressions and Techniques: Voices

    18. "All Shall Scream": Transposable Lessons from Pierre-Luc Senécal's Hate.Machine for Growlers Choir
    Eric Smialek

    19. Song of the Siren, Cry of the Warrior: An Exploration of Song Structures and Female Vocal Techniques in Power Metal
    Suzanne Strauss

    20. Thine Voice is Oh So Sweet: Gothic Metal and Vocal Timbre Diversity
    Vik Squires Donnelly

    21. Nu Metal's Influential Vocal Composition: Tension and Release in the Music of Korn, Incubus, and Machine Head
    Clare King

    22. Beyond "Beauty and the Beast": The Evolution of Gendered Clean-Harsh Vocal Pairings in Metal Music
    Lori Burns

    Part IV. Productions

    23. Imagining Future Extremes on the Record Player: Time Axis Manipulation as a Theory of Extreme Metal Creativity and History
    Florian Walch


    24. Masters of Reality: The (De)construction of Reality in the Production of Metal Music
    Niall Thomas

    25. Fragmented and Distributed Production Practices in 21st Century Metal Music: From the Studio to the Bedroom (and Back Again?)
    Steven Gamble and Lewis Kennedy

    26. Electronic Drums in Industrial Metal and Continuing Practices in Contemporary Metal Music
    Neyssensas Manuel

    27. Guitar Pro or DAW-based Software for Metal Composition
    Fulya Celikel

    28. Black Metal and the Sonic Search for Nature
    David Hemery

    29. Contemporary Approaches to Metal Music Production: Traditional Heavy Metal, Death Metal, and Metalcore
    Jan Herbst and Mark Mynett