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Produktbild: Lost Sounds

Lost Sounds Blacks and the Birth of the Recording Industry, 1890-1919

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Beschreibung

Produktdetails

Einband

Taschenbuch

Erscheinungsdatum

08.07.2005

Abbildungen

57 photographs

Verlag

University Of Illinois Press

Seitenzahl

656

Maße (L/B/H)

26/17,7/4,9 cm

Gewicht

1238 g

Sprache

Englisch

ISBN

978-0-252-07307-6

Beschreibung

Rezension

Winner of an ASCAP Deems Taylor Award, 2005. Winner of the ARSC Award for Best Research in General History of Recorded Sound, 2005. Winner of the Irving Lowens Award, given by the Society for American Music for the best work published in 2004 in the field of American music. Tim Brooks received the Association for Recorded Sound Collections (ARSC) Lifetime Achievement Award, 2004.- ASCAP
Winner of an ASCAP Deems Taylor Award, 2005. Winner of the ARSC Award for Best Research in General History of Recorded Sound, 2005. Winner of the Irving Lowens Award, given by the Society for American Music for the best work published in 2004 in the field of American music. Tim Brooks received the Association for Recorded Sound Collections (ARSC) Lifetime Achievement Award, 2004.- ARSC
Winner of an ASCAP Deems Taylor Award, 2005. Winner of the ARSC Award for Best Research in General History of Recorded Sound, 2005. Winner of the Irving Lowens Award, given by the Society for American Music for the best work published in 2004 in the field of American music. Tim Brooks received the Association for Recorded Sound Collections (ARSC) Lifetime Achievement Award, 2004.- Society for American Music
Winner of an ASCAP Deems Taylor Award, 2005. Winner of the ARSC Award for Best Research in General History of Recorded Sound, 2005. Winner of the Irving Lowens Award, given by the Society for American Music for the best work published in 2004 in the field of American music. Tim Brooks received the Association for Recorded Sound Collections (ARSC) Lifetime Achievement Award, 2004.- ARSC

Produktdetails

Einband

Taschenbuch

Erscheinungsdatum

08.07.2005

Abbildungen

57 photographs

Verlag

University Of Illinois Press

Seitenzahl

656

Maße (L/B/H)

26/17,7/4,9 cm

Gewicht

1238 g

Sprache

Englisch

ISBN

978-0-252-07307-6

Herstelleradresse

Libri GmbH
Europaallee 1
36244 Bad Hersfeld
DE

Email: gpsr@libri.de

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  • Produktbild: Lost Sounds
  • CoverTitle PageCopyright PageContentsPrefaceAcknowledgmentsIntroduction: Lost, Stolen, or Strayed?PART ONE: George W. Johnson, the First Black Recording Artist1. The Early Years2. Talking Machines!3. The Trial of George W. JohnsonPART TWO: Black Recording Artists, 1890-994. The Unique Quartette5. Louis "Bebe" Vasnier: Recording in Nineteenth-Century New Orleans6. The Standard Quartette and South before the War7. The Kentucky Jubilee Singers8. Bert Williams and George Walker9. Cousins and DeMoss10. Thomas CraigPART THREE: Black Recording Artists, 1900-190911. The Dinwiddie Quartet12. Carroll Clark13. Charley Case: Passing for White?14. The Fisk Jubilee Singers and the Popularization of Negro Spiriituals15. Polk Miller and His Old South QuartettePART FOUR: Black Recording Artists, 1920-1516. Jack Johnson17. Daisy Tapley18. Apollo Jubilee Quartette19. Edward Sterling Wright and the Poery of Paul Laurence Dunbar20. James Reese Europe21. Will Marion Cook and the Afro-American Folk Song Singers22. Dan Kildare and Joan Sawyer's Persian Garden Orchestra23. The Tuskegee Institute Singers24. The Right QuintettePART FIVE: Black Recording Artists, 1916-1925. Wilbur C. Sweatman: Disrespecting Wilbur26. Opal D. Cooper