• 1: Edith Hall: Introduction: Why Greek tragedy since the late 1960s?
• 1. Dionysus and the Sex War
• 2: Froma Zeitlin: Dionysus in '69
• 3: Helene Foley: Bad women: gender politics in late twentieth-century performance and revision of Greek tragedy
• 4: Kathleen Riley: Heracles as Dr Strangelove and GI Joe: male heroism deconstructed
• 2. Dionysus in Politics
• 5: Oliver Taplin: Sophocles' Philoctetes, Seamus Heaney's, and some other recent half-rhymes
• 6: Edith Hall: Aeschylus, race, class, and war in the 1990s
• 7: Pantelis Michelakis: Greek tragedy in cinema: theatre, politics, history
• 8: Lorna Hardwick: Greek drama and anti-colonialism: decolonising Classics
• 3. Dionysus and the Aesthetics of Performance
• 9: David Wiles: The use of masks in modern performances of Greek tragedy
• 10: Katharine Worth: Greek notes in Samuel Beckett's theatre art
• 11: Peter Brown: Greek Tragedy in late twentieth-century opera
• 4. Dionysus and the Life of the Mind
• 12: Fiona Macintosh: Oedipus in the East End: from Freus to Berkoff
• 13: Erika Fischer-Lichte: Thinking about the origins of theatre in the 1970s
• 14: Timberlake Wertenbaker: The voices we hear
• 15: Amanda Wrigley: Details of productions discussed