Rezension
Richler s great achievement. . . . Ebullient, manic, over the top. Los Angeles Times
At once falling-down funny, angry, and heartbreakingly poignant. The Dallas Morning News
Cunningly designed for maximum suspense and beaucoup laughs. . . . Exuberant. Time
Vintage Richler: funny, tough, and touching. San Francisco Examiner
Richler s aim is still deadly. . . . [With] a caustic wit and Falstaffian charm. The New York Times Book Review
A fine, funny novel. . . . Deft, irreverent, and affecting. The New York Times
A satisfying experience; this is a masterfully executed novel a funny, touching, mature work. St. Louis Post-Dispatch
[Richler s] best. . . . It is time to recognize Mr. Richler as one of North America s most powerful novelists. The Washington Times
Grossly funny. . . . A rousing spectacle. . . . A novelist at the top of his game. The Wall Street Journal
Funny and engaging. . . . Richler s admirers will not want to miss it. Washington Post Book World
Richler brings off one of the most difficult feats of a satirical novelist winning the affection of the reader for a character who is a world-class vulgarian. Barney is very, very funny. The Boston Globe
Wildly comic. . . The years . . . have added depth to Richler s power to outrage and amuse. New York Review of Books
Hilarious. . . . Barney Panofsky is right up there with such creations as Moses Herzog and Randle Patrick McMurphy as outrageous swimmers against the tide of conformity. His wicked sense of humor will endear him to all but the most censorious. Minneapolis Star Tribune
A brilliantly slapdash fictional memoir. . . Hilarious. . . . Raucous but elegiac. Entertainment Weekly
A rollicking novel laden with rue, a self-portrait of a creative personality who never found a creative outlet he could respect, a paean to the pleasures and perils of drink, a celebration of ice hockey and tap dancing . . . [and] a murder mystery with an uproarious solution. The New Yorker
A touching human work [which] celebrates the power of love, the importance of family, the value of work, and the frightening process of aging. . . . [An] eloquent portrait of an impossible man. Toronto Star
