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  • Produktbild: Production Studies, The Sequel!
  • Produktbild: Production Studies, The Sequel!

Production Studies, The Sequel! Cultural Studies of Global Media Industries

73,99 €

inkl. gesetzl. MwSt., Versandkostenfrei

Beschreibung

Produktdetails

Einband

Taschenbuch

Erscheinungsdatum

14.07.2015

Abbildungen

3 Tabellen

Herausgeber

Miranda Banks + weitere

Verlag

Taylor & Francis

Seitenzahl

306

Maße (L/B/H)

22,9/15,2/1,7 cm

Gewicht

446 g

Sprache

Englisch

ISBN

978-1-138-83169-8

Beschreibung

Rezension

"Banks, Conor, and Mayer have delivered one of the rare sequels that surpasses the vision of the original. This collection brilliantly details developments in production cultures across an impressive range of media industries, publics, and global contexts. In the process, it offers a host of inspired views into the material conditions and cultural dimensions of media production."
-Jennifer Holt, University of California, Santa Barbara

Produktdetails

Einband

Taschenbuch

Erscheinungsdatum

14.07.2015

Abbildungen

3 Tabellen

Herausgeber

Verlag

Taylor & Francis

Seitenzahl

306

Maße (L/B/H)

22,9/15,2/1,7 cm

Gewicht

446 g

Sprache

Englisch

ISBN

978-1-138-83169-8

Herstelleradresse

Libri GmbH
Europaallee 1
36244 Bad Hersfeld
DE

Email: gpsr@libri.de

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  • Produktbild: Production Studies, The Sequel!
  • Produktbild: Production Studies, The Sequel!

  • I. Tools of the Trade

    1. Chris Peterson, "I Like My Bots Like I Like My People: Weird, Mixed, Always Acting"

    2. Mary Desjardins, "Performance, Labor, and Stardom in the Era of the Synthespian"

    3. Patrick Vonderau, "How Global is Hollywood? Division of Labor from a Prop-Making Perspective"

    II. Being the Brand

    4. Nina Huntemann, "Working the Booth: Promotional Models and the Value of Affective Labor"

    5. Catherine Johnson and Paul Grainge, "From Broadcast Design to 'On-Brand TV': Repositioning Expertise in the Promotional Screen Industries"

    6. Kristin J. Lieb, "Pop Stars Perform 'Gay' for The Male Gaze: The Production of Fauxmosexuality in Female Popular Music Performances and Its Representational Implications"

    III. Production Pedagogies

    7. Eva Novrup Redvall, "Craft, creativity, collaboration, and connections: Educating talent for Danish television drama series"

    8. Jonathan Corpus Ong, "Charity Appeals as 'Poverty Porn'? Production Ethics in Representing Suffering Children and Typhoon Haiyan Beneficiaries in the Philippines"

    9. Eva Pjajcíková and Petr Szczepanik, "Group Writing for Post-Socialist Television"

    IV. Putting the Public Back in Public Service

    10. James Bennett, "Public Service as Production Cultures: A Contingent, Conjunctural Compact"

    11. Tiziano Bonini and Alessandro Gandini, "Invisible workers in an Invisible Medium: An Ethnographic Approach to Italian Public and Private Freelance Radio Producers"

    12. Anna Zoellner, "Detachment, Pride, Critique: Professional Identity in Independent Factual Television Production in Great Britain and Germany"

    13. Mary Elizabeth Luka, "CBC ArtSpots and the Activation of Creative Citizenship"

    V. Transnational Circuits

    14. Alessandro Jedlowski, "Avenues of Participation and Strategies of Control: Video Film Production and Social Mobility in Ethiopia and Southern Nigeria"

    15. Dennis Lo, "From Experiencing Life to Life Experiences: Location Shooting Practices in Chinese and Taiwanese New Wave Cinemas"

    16. John Vanderhoef and Michael Curtin, "The Crunch Heard Round the World: The Global Era of Digital Game Labor"

    VI. Redefining the Industry

    17. Nicholas Boston and Brooke Erin Duffy, "What Actually Matters: Identity, Individualization, and Aspiration in the Work of Glossy Magazine Production"

    18. Alisa Perren, "The Trick of the Trades: Media Industry Studies and the American Comic Book Industry"

    19. Naomi Sakr and Jeanette Steemers, "Co-Producing Content for Pan-Arab Children's TV: State, Business and the Workplace"

    20. Deborah L. Jaramillo, "Keep Big Government out of your Television Set: The Rhetoric of Self-Regulation Before the Television Code"