Feminist Science-Fiction? Gender Aspects in Ursula K. Le Guin's "The Dispossessed" and Feminist Criticism
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Sprache:Englisch
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ePUB
Kopierschutz
Nein
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Nein
Text-to-Speech
Ja
Erscheinungsdatum
19.08.2015
Verlag
GRINSeitenzahl
15 (Printausgabe)
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301 KB
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1. Auflage
Sprache
Englisch
EAN
9783668032743
Science Fiction offers writers a wide range of potential themes to explore and is thus a very complex genre.
While often being considered male oriented, at least during the Feminist Movement in the 1960s, female authors found their way into the genre and raised questions about gender roles, political inequality and sexuality within their works.
Among those female writers was Ursula K. Le Guin who gained wide recognition for her writing and is today regarded one of the most influential science-fiction and fantasy author of the twentieth century.
Asscociated with feminist tendencies in her works, her most famous novel referred to be feminist science fiction is "The Left Hand of Darkness" in which she imagined an androgynous society in order to investigate what society would be if sex did not matter.
But also many other of her works have received attention from critics interested in gender and feminism.
In this paper I intend to analyse and discuss the depiction of gender and the realisation of feminist aspects in Le Guin's novel "The Dispossessed: An ambiguous Utopia".
The novel won several important literary awards such as the Hugo and the Nebula and gained a lot of respect among critics for its great literary qualities and its extensive exploration of political ideas and social themes, including for example anarchism, capitalism and socialism.
It is set on the fictional planets Urras and Anarres which inhabit two contrasting societies, one capitalist and class oriented and the other one following the principles of anarchism, avoiding any form of social hierarchy among its population.
Anarres - apparently the utopian planet in Le Guin's work, is often called a feminist utopia for its conception of gender. However, Le Guin has been highly criticised from feminist for several problematic issues in her approach of sexual politics in the novel.
The question therefore arises weather "The Dispossessed" really can be labeled feminist science-fiction and if Anarres really can be called a feminist utopia?
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