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Produktbild: Hölderlin's Hymn "Remembrance"

Hölderlin's Hymn "Remembrance"

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Beschreibung

Produktdetails

Einband

Gebundene Ausgabe

Erscheinungsdatum

01.10.2018

Verlag

Indiana University Press

Seitenzahl

204

Maße (L/B/H)

23,5/15,7/1,6 cm

Gewicht

474 g

Übersetzt von

William McNeill + weitere

Sprache

Englisch

ISBN

978-0-253-03581-3

Beschreibung

Rezension

"This faithful and readable translation by William McNeill and Julia Ireland serves as a critical orientation to interpreting Heidegger's later thought, which has become the focus of a great deal of scholarly interest. In Heidegger's own words, Hölderlin's poetry is 'absolutely essential' to understanding his later thought."-Christopher D. Merwin, Emory University

Produktdetails

Einband

Gebundene Ausgabe

Erscheinungsdatum

01.10.2018

Verlag

Indiana University Press

Seitenzahl

204

Maße (L/B/H)

23,5/15,7/1,6 cm

Gewicht

474 g

Übersetzt von

  • William McNeill
  • Julia Ireland

Sprache

Englisch

ISBN

978-0-253-03581-3

Herstelleradresse

Libri GmbH
Europaallee 1
36244 Bad Hersfeld
DE

Email: gpsr@libri.de

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  • Produktbild: Hölderlin's Hymn "Remembrance"
  • Translators' Foreword
    PRELIMINARY CONSIDERATIONS
    Preparation for Hearing the Word of the Poetizing
    1. What the Lecture Course Does Not Intend. On Literary-Historiographical Research and the Arbitrary Interpretation of Poetry
    2. The Attempt to Think the Word Poetized by Hölderlin
    3. That Which is Poetized in the Word of Essential Poetizing 'Poetizes Over and Beyond' the Poet and Those Who Hear this Word
    4. The Essential Singularity of Hölderlin's Poetizing is Not Subject to Any Demand for Proof
    5. The Poetizing Word and Language as Means of Communication. Planetary Alienation in Relation to the Word
    Review
    1) 'Thinking' That Which is Poetized
    2) Hearing That Which is Poetized is Hearkening: Waiting for the Coming of the Inceptual Word
    6. The Univocity of 'Logic' and the Wealth of the Genuine Word Out of the Inexhaustibility of the Commencement
    7. Remark on the Editions of Hölderlin's Works
    MAIN PART
    "Remembrance"
    8. A Word of Warning about Merely Admiring the Beauty of the Poem
    9. Establishing a Preliminary Understanding About 'Content' and What is Poetized in the Poem
    Review
    1) The Wealth of the Poetizing Word
    2) Poetizing and Thinking as Historical Action
    3) The Transformation of the Biographical in That Which is Poetized
    10. That Which is Poetized in the Poetizing and the 'Content' of the Poem are Not the Same
    Part One
    Entry into the Realm of the Poem as Word
    11. The Beginning and Conclusion of the Poem
    12. Concerning Language: The Poetizing Word and Sounding Words
    13. Language in Our Historical Moment
    14. Preliminary Consideration of the Unity of the Poem
    Review
    15. Poetizing and the Explanation of Nature in Modernity. On the Theory of 'Image' and 'Metaphor'
    16. "The Northeasterly blows." The Favor of Belonging to the Vocation of Poet
    17. The "Greeting." On the Dangerous Addiction to Psychological-Biographical Explanation
    18. Norbert von Hellingrath on "Hölderlin's Madness." Commemoration of von Hellingrath
    19. Hölderlin's De-rangement as Entering the Range of a Different Essential Locale
    20. The "Going" of the Northeasterly. The "Greeting" of the Poet's Going with It
    Review
    21. Transition From the First to the Second Strophe. The Greeting Thinking-in-the-Direction-Of as the Letting Be of the Greeted. The Greeted Thinks Its Way To the Poet
    22. In the Unity of That Which is Greeted, Gathered by the Poet's Greeting, the Day's Work and Stead of Human Dwelling Arise
    Part Two
    "Holidays" and "Festival" in Hölderlin's Poetizing
    23. Preliminary Hints From Citing 'Passages' In the Poetry
    Review
    24. Celebrating as Pausing From Work and Passing Over into Reflection upon the Essential
    25. The Radiance of the Essential Within Celebration. Play and Dance
    26. The Essential Relation Between Festival and History. The "Bridal Festival" of Humans and Gods
    27. The Festive as Origin of Attunements. Joy and Mournfulness: The Epigram "Sophocles"
    Review
    1) Celebration as Becoming Free in Belonging to the Inhabitual
    2) Improbable Celebration in the Echo of What is 'Habitual' in a Day: The First Strophe of the Elegy "Bread and Wine"
    3) "The Festival" and the Appropriative Event. The Festival of the Day of History in Greece. Hölderlin and Nietzsche
    28. The Greeting of the Women. Their Role in Preparing the Festival. The Women of Southern France and the Festival that Once Was in Greece
    Review
    29. Transition as Reconciliation and Equalization
    30. "Night": Time-Space of a Thinking Remembering the Gods that Once Were Transit