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  • Produktbild: The Routledge Companion to Applied Performance
  • Produktbild: The Routledge Companion to Applied Performance
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The Routledge Companion to Applied Performance Volume Two - Brazil, West Africa, South and South East Asia, United Kingdom, and the Arab World

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Beschreibung

Produktdetails

Einband

Taschenbuch

Erscheinungsdatum

01.08.2022

Abbildungen

11 SW-Abb., 11 SW-Fotos

Herausgeber

Tim Prentki + weitere

Verlag

Taylor & Francis

Seitenzahl

472

Maße (L/B/H)

24,6/17,4/2,5 cm

Gewicht

833 g

Sprache

Englisch

ISBN

978-0-367-54615-1

Beschreibung

Produktdetails

Einband

Taschenbuch

Erscheinungsdatum

01.08.2022

Abbildungen

11 SW-Abb., 11 SW-Fotos

Herausgeber

Verlag

Taylor & Francis

Seitenzahl

472

Maße (L/B/H)

24,6/17,4/2,5 cm

Gewicht

833 g

Sprache

Englisch

ISBN

978-0-367-54615-1

Herstelleradresse

Libri GmbH
Europaallee 1
36244 Bad Hersfeld
DE

Email: gpsr@libri.de

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  • Produktbild: The Routledge Companion to Applied Performance
  • Produktbild: The Routledge Companion to Applied Performance
  • Introduction to Volume Two; Part I Brazil; Introduction to Brazil and West Africa - Marina Henriques & Taiwo Afolabi; Chapter 1: 'Pombas Urbanas: sowing wings in a banished city'. - Adailtom Alves Teixeira & Alexandre Falcão de Araújo; Chapter 2: Interview with the Canto da Lagoa Community Theatre Group. - Marcia Pompeo Nogueira; Chapter 3: Theatre crossed by the territory in the work of Grupo Códico - Jorge Braga Jr.; Chapter 4: 'On fantastical journeys, who would save the adolescents from Maré?' - Marina Henriques; Chapter 5: 'Every Patrol Car has a Little of the Slave Ship: The Emergency of the Listening Place'. - Altemar Di Monteiro; Chapter 6: The Memory of The Contestado War in the Musical Theatre of youth from rural settlements in the south of Brazil. - Elaine Cristina da Silva & Tereza Mara Franzoni; Chapter 7: 'Paraíso do Tuiuti:"I am not a slave of no master": The carnival of 2018 stars in the political debate about the 2016 Coup in Brazil'. - Fátima Costa di Lima; Chapter 8: The power of subtle learning: directions and achievements of the Heliópolis Theatre Company. - Maria Fernanda Vomero; Part II West Africa; Chapter 9: Functional Arts: Theatre Praxis in Burkina Faso. - Taiwo Afolabi; Chapter 10: Conversation: A Folktale-based community play as a model for stimulating Community development. - Isi Agboaye; Chapter 11: Geographies of Conflict: Resolving Farmer-Herdsmen Conflict through Street Theatre. - Alex C. Asigbo & Tochukwu J. Okeke; Chapter 12: Politics of/and Performance Spaces in Theatre of Social Action: Two Decades of Segun Adefila's Crown Troupe of Africa. - Tunji Azeez; Chapter 13: Applied Performances in Burkina Faso: Methodological and Topographical Overview and Challenges. - Annette Bühler-Dietrich; Chapter 14: The Anglophone Problem in Cameroon: Participatory Theatre and Video Constructs. - Tume Fondzeyuf K.; Part III South Asia; Introduction to Part III Framing the South Asian Discourse. - Syed Jamil Ahmed; Chapter 15: Queer Performativities in Contemporary Pakistan: A Genealogical Approach. - Fawzia Afzal-Kahn; Chapter 16: 'Of Stones, Songs, and Freedom: Languages of Resistance in Kashmir'. - Tanveer Ajsi; Chapter 17: 'Curfews of Thought'. - Ruwanthie de Chickera; Chapter 18: Towards a Pedagogic analysis of Dance and Movement Therapy - Urmimala Sarkar Munsi; Chapter 19: Street Theatre in Afghanistan: a Roundtable - Sadeq Naseri (chair); Chapter 20: A Conversation: The Third Tune (Teesri Dhun) - Claire Pamment et al.; Chapter 21: Shat Bhai Chompa: A Sociodrama in an urban slum of Dhaka City. - Ashfique Rizwan et al.; Chapter 22: Storytelling through Playback Theatre: Building a collective consciousness to promote social cohesion in Nepal. - Nar Bahadur Saud; Chapter 23: Transforming Trauma in Post-Conflict Settings: Ethnographic Evidence from a Social Circus project in Afghanistan - Annika Schmeding; Chapter 24: Short essays; Part IV Arab World; Chapter 25: Empowerment, Capacity Building, and Freedom - Marina Barham and Amira Barham; Chapter 26: Street Theater in Tunisia: Fanni Raghman Anni (case study)- Seif Eddine Jlassi; Part V United Kingdom; Introduction to Part V: Performances of Age (UK)- Caiomhe McAvinchey; Chapter 27: Six Songs for Paul: How The Lawnmowers Independent Theatre Company transform experience into expertise. - Ali Campbell; Chapter 28: 'How I Learned to Stop Worrying and Love': Staging relational care with Lois Weaver and Split Britches. - Jen Harvie; Chapter 29: Welcome to the Posh Club. - Ben Walters; Chapter 30: 'In the Company of Others: Enterlechy Arts, co-creating with older people. - Sue Mayo; Chapter 31: Magic Me: Interview with Chuck Blue Lowry, Kate Hodson, Susan Langford, Sue Mayo and Julian West. - Caiomhe McAvin