Milan Kundera
1. The Festival of Insignificance
The Festival of Insignificance
Aus der Reihe
Harper Perennial
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Form:Thalia Hörbuch-Abo
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Sprache:Englisch
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Beschreibung
Produktdetails
Family Sharing
Ja
Gesprochen von
Richmond HoxieSpieldauer
2 Stunden und 32 Minuten
Abo-Fähigkeit
Ja
Erscheinungsdatum
18.06.2015
Hörtyp
Lesung
Fassung
ungekürzt
Medium
MP3
Anzahl Dateien
9
Verlag
Faber & FaberÜbersetzt von
Linda Asher
Sprache
Englisch
EAN
9780571336524
'[A] curious and fascinating book . . . The vivacity of Kundera's prose, the whirl of his ideas, and his sincere engagement with grand narratives and troubling questions remind you what a rare talent he is.' Independent
Casting light on the most serious of problems and at the same time saying not one serious sentence; being fascinated by the reality of the contemporary world and at the same time completely avoiding realism - that's The Festival of Insignificance. Readers who know Kundera's earlier books know that the wish to incorporate an element of the "unserious" in a novel is not at all unexpected of him. In Immortality, Goethe and Hemingway stroll through several chapters together talking and laughing. And in Slowness, Vera, the author's wife, says to her husband: "you've often told me you meant to write a book one day that would have not a single serious word in it... I warn you: watch out. Your enemies are lying in wait."
Now, far from watching out, Kundera is finally and fully realizing his old aesthetic dream in this novel that we could easily view as a summation of his whole work. A strange sort of summation. Strange sort of epilogue. Strange sort of laughter, inspired by our time, which is comical because it has lost all sense of humour. What more can we say? Nothing. Just read.
Casting light on the most serious of problems and at the same time saying not one serious sentence; being fascinated by the reality of the contemporary world and at the same time completely avoiding realism - that's The Festival of Insignificance. Readers who know Kundera's earlier books know that the wish to incorporate an element of the "unserious" in a novel is not at all unexpected of him. In Immortality, Goethe and Hemingway stroll through several chapters together talking and laughing. And in Slowness, Vera, the author's wife, says to her husband: "you've often told me you meant to write a book one day that would have not a single serious word in it... I warn you: watch out. Your enemies are lying in wait."
Now, far from watching out, Kundera is finally and fully realizing his old aesthetic dream in this novel that we could easily view as a summation of his whole work. A strange sort of summation. Strange sort of epilogue. Strange sort of laughter, inspired by our time, which is comical because it has lost all sense of humour. What more can we say? Nothing. Just read.
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