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Produktbild: The Last of England?
Band 12

The Last of England? 1960-2000

76,99 €

inkl. gesetzl. MwSt., Versandkostenfrei


Beschreibung

English Literature in the 1960s soon threw off its post-war weariness and the tepid influences of the previous decade. New voices, new visions, and new commitments profoundly reshaped writing during the sixties, and throughout the rest of the century. Drama thrived on its rapidly rebuilt foundations....

Beschreibung

English Literature in the 1960s soon threw off its post-war weariness and the tepid influences of the previous decade. New voices, new visions, and new commitments profoundly reshaped writing during the sixties, and throughout the rest of the century. Drama thrived on its rapidly rebuilt foundations. New freedoms of style and form revitalised fiction. Poetry, too, gradually recovered the variety and inventiveness of earlier years.
As well as comprehensively charting these changes in the literary field, Randall Stevenson persuasively pinpoints their origins in the historical, social, and intellectual pressures of the times. Literary developments are revealingly related to the wider evolution and profound changes in English experience in the late twentieth century - to shadows of war and loss of empire; declining influences of class; shifting relations between the genders; emergent minority and counter-cultures; and the broadening democratization of contemporary life in general.
Analyses of the rise of literary theory, of publishing and the book trade, and of the pervasive influences of modernism and postmodernism contribute further to an impressively thorough, insightful description of writing in the later twentieth century - a literary period Stevenson shows to be far more imaginative and exciting than has yet been recognized. Lucid, accessible, and engaging, this volume of the Oxford English Literary History presents a unique illumination of its age - one we have lived through, but are only just beginning to understand. The first full account of its period, it will set the agenda for discussion of late twentieth-century literature for many years to come.

Rezension

For much of the period covered here the literature of England was dogged by an all-pervading sense of failure and decline. In Stevenson's analysis, a "misplaced nostalgia" impeded the progress of English drama, fiction and especially poetry. Philip Larkin mourned an "England gone", and he cast a long shadow over English verse. "English literature was never more static than under the influence of the Movement," says Stevenson. "If the later 20th century proved a difficult period for poetry, it was in large measure because it took so long to realise this, and move on." Guardian

Produktdetails

Einband

Taschenbuch

Erscheinungsdatum

01.01.2006

Abbildungen

15 halftones

Verlag Oxford University Press

Produktdetails

Einband

Taschenbuch

Erscheinungsdatum

01.01.2006

Abbildungen

15 halftones

Verlag Oxford University Press
Seitenzahl

642

Maße (L/B/H)

21,6/14/3,7 cm

Gewicht

892 g

Sprache

Englisch

ISBN

978-0-19-928835-9

Herstelleradresse

Libri GmbH
Europaallee 1
36244 Bad Hersfeld
DE

Email: Libri GmbH

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  • Produktbild: The Last of England?
    • Introduction: Last Things First

    • I. Histories

    • 1: 'Gleaming Twilight': Literature, Culture, and Society

    • 2: A Postmodern Age? Literature, Ideas, and Traditions

    • 3: An Age of Theory? Critics, Readers, and Authors

    • 4: A Golden Age? Readers, Authors, and the Book Trade

    • II. Poetry

    • 5: Movement or Revival: The late 1950s to the 1980s

    • 6: Counter-movements and Modernist Memories: 1960 to the 1980s

    • 7: Politics and Postmodernism: The Late 1970s to 2000

    • 8: Rosebay Revived: Language, Form, and Audience for 'This Unpopular Art'

    • III. Drama

    • 9: A Public Art Form: The late 1950s to the 1970s

    • 10: Last Year in Jerusalem: Politics and Performance after 1968

    • 11: 'Real Revolutionaries': Politics and the Margins

    • 12: Absurdism, Postmodernism, Individualism

    • 13: Discovering the Body

    • 14: Revolution, Television, Subsidy

    • IV. Narrative

    • 15: To the Crossroads: Style and Society in the 1960s and 1970s

    • 16: A Darker Route: Morality and History in the 1960s and 1970s

    • 17: Longer Shadows and Darkness Risible: The 1970s to 2000

    • 18: 'Double Lives': Women's Writing and Gender Difference

    • 19: 'The Century of Strangers': Travellers and Migrants

    • 20: Genres, Carnivals, and Conclusions

    • Author Bibliographies

    • Suggestions for Further Reading

    • Preface

    • I. Histories

    • 1: 'Gleaming Twilight' - Literature, Culture, and Society

    • 2: A Postmodern Age? - Literature, Ideas, and Traditions

    • 3: An Age of Theory? - Critics, Readers, and Authors

    • 4: A Golden Age? - Readers, Authors, and the Book Trade

    • II. Poetry

    • 5: Movement or Revival - the late 1950s to the 1980s

    • 6: Movements and Counter-Movements - the 1960s to the 1980s

    • 7: Politics and Postmodernism - the late 1970s to 2000

    • 8: Rosebay Revived - Language, Form, and Audience for 'This Unpopular Art'

    • III. Drama

    • 9: A Public Art Form - the late 1950s to the 1970s

    • 10: Last Year in Jerulsalem - Politics and Performance after 1968

    • 11: 'Real Revolutionaries' - Politics and the Margins

    • 12: Absurdism, Postmodernism, Individualism

    • 13: Discovering the Body

    • 14: Revolution, Television, Subsidy

    • IV. Narrative

    • 15: To the Crossroads - Style and Society in the 1960s and 1970s

    • 16: A Darker Route - Moral and Historical Vision in the 1960s and 1970s

    • 17: Longer Shadows and Darkness Risible - the 1970s to 2000

    • 18: 'Double Lives' - Women's Writing and Gender Diffe