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Produktbild: The Marsh of Gold. Pasternak's Writings on Inspiration and Creation

The Marsh of Gold. Pasternak's Writings on Inspiration and Creation

Aus der Reihe Studies in Russian and Slavic Literatures, Cultures, and History

62,99 €

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Beschreibung

Produktdetails

Einband

Gebundene Ausgabe

Erscheinungsdatum

01.09.2008

Verlag

Academic Studies Press

Seitenzahl

330

Maße (L/B/H)

24/16,1/2,2 cm

Gewicht

673 g

Übersetzt von

Angela Livingstone

Sprache

Englisch

ISBN

978-1-934843-23-9

Beschreibung

Produktdetails

Einband

Gebundene Ausgabe

Erscheinungsdatum

01.09.2008

Verlag

Academic Studies Press

Seitenzahl

330

Maße (L/B/H)

24/16,1/2,2 cm

Gewicht

673 g

Übersetzt von

Angela Livingstone

Sprache

Englisch

ISBN

978-1-934843-23-9

Herstelleradresse

Libri GmbH
Europaallee 1
36244 Bad Hersfeld
DE

Email: gpsr@libri.de

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  • Produktbild: The Marsh of Gold. Pasternak's Writings on Inspiration and Creation

  • Preface. Acknowledgments. Note on transliteration and dates. Abbreviations. A brief chronology. Note on Pasternak's connections with literary groups. Introduction. I EARLY PROSE (1910-1919). Some Propositions. [Reliquimini]. Ordering a Drama. Heinrich von Kleist. On Asceticism in Culture. [On the Threshold of Inspiration]. Symbolism and Immortality [Synopsis of a lecture]. [End of a Decade]. The Black Goblet. Letters from Tula. Commentary on I (EARLY PROSE). "Some Propositions" (54). - "[Reliquimini]" and "Ordering a Drama" (56). - "[Reli quimini]" (56). - "Ordering a Drama" (58). - Note on names in the early fiction (60). - "Heinrich von Kleist. On Asceticism in Culture" (60). - "[On the Threshold of Inspira tion]" (63). - "Symbolism and Immortality" (63). - "[End of a Decade]" (67). - "The Black Goblet" (68). - "Letters from Tula" (70). - Other early fiction (72). II A SAFE-CONDUCT or "THE PRESERVATION CERTIFICATE" (1928-1931). Part One. Part Two. Part Three. Commentary on II (A SAFE-CONDUCT, OR THE PRESERVATION CERTIFICATE). The political moment (155). - Rilke (156). - Some patterns (157). - Part One, chapter six (158). - Part Two, chapter three (160). - Part Two, chapter seven (161). - Part Two, chapter seventeen (163). - Mayakovsky (165). - The title (167) III FIFTEEN POEMS (1912-1931). February. Spring. Marburg. About These Verses. Definition of Poetry. Definition of Creation. Let's drop words. Inspiration. Here's the Beginning. Slanted pictures. Poetry. To Anna Akhmatova. To Marina Tsvetaeva. Lovely woman. Again Chopin. Commentary on III (FIFTEEN POEMS). IV SPEECHES AND ARTICLES 1930s and 1940s. Speech at the First All-Union Congress of Soviet Writers (1934). Speech at the International Congress of Writers for the Defense of Culture (1935). Speech at the Third Plenum of the Board of the Union of Soviet Writers (1936). On Shakespeare. A New Collection of Work by Anna Akhmatova. Selected Works by Anna Akhmatova. Notes of a Translator. Paul-Marie Verlaine. Chopin. Remarks on Translations from Shakespeare. Commentary on IV (SPEECHES AND ARTICLES, 1930s and '40s). "Speech at the first all-union congress of Soviet writers" (246). - "Speech at the international congress of writers in defense of culture" (248). - "Speech at the third plenum of the board of the writers' union" (249). - "Articles on Anna Akhmatova" (252). -"Articles on Translation and on Shakespeare" (252). - "Verlaine" (253). -"Chopin" (254). V. An Essay on Pasternak's Novel DOCTOR ZHIVAGO. 1. "A novel in prose". 2. Writing poetry. 3. A merging of concepts. 4. " . . . some moving entireness". Notes. Selective bibliography. Index.