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  • Produktbild: Women in Chinese Martial Arts Films of the New Millennium
  • Produktbild: Women in Chinese Martial Arts Films of the New Millennium

Women in Chinese Martial Arts Films of the New Millennium Narrative Analyses and Gender Politics

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Beschreibung

Women and Gender in Chinese Martial Arts Films of the New Millennium, by Ya-chen Chen, examines underexposed gender issues in more recent films, focusing on the contradictory feminism in the film narratives. Through the lens of Chinese martial arts films, Chen delves into "Chi...

Beschreibung

Women and Gender in Chinese Martial Arts Films of the New Millennium, by Ya-chen Chen, examines underexposed gender issues in more recent films, focusing on the contradictory feminism in the film narratives. Through the lens of Chinese martial arts films, Chen delves into "Chi...

Produktdetails

Einband

Gebundene Ausgabe
Erscheinungsdatum

12.04.2012
Verlag Lexington Books
Seitenzahl

314

Produktdetails

Einband

Gebundene Ausgabe
Erscheinungsdatum

12.04.2012
Verlag Lexington Books
Seitenzahl

314
Maße (L/B/H)

23,5/15,7/2,3 cm
Gewicht

662 g
Sprache

Englisch
ISBN

978-0-7391-3908-0
Herstelleradresse

Libri GmbH
Europaallee 1
36244 Bad Hersfeld
DE

Email: gpsr@libri.de

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  • Produktbild: Women in Chinese Martial Arts Films of the New Millennium
  • Produktbild: Women in Chinese Martial Arts Films of the New Millennium

  • Introduction. Towards Social-Cultural and Historical Readings: "Chinese Cinematic Martial Arts Feminism" and Its Limitation in the narrative of Martial Arts Films
    Part 1. Narrative Analyses of Women and Gender Concerns in Every Film
    Chapter 1. The Fox, Dragon, and Lotus in Crouching Tiger Hidden Dragon
    Chapter 2. To (En)gender the Gendered History in Hero
    Chapter 3. There is a Beauty in the Door(way) of Flying Daggers
    Chapter 4. Women Who Do Not Practice Martial Arts in Seven Swords
    Chapter 5. Cinderella, Snow White, and Sleeping Beauty in The Promise
    Chapter 6. The Chinese Hamlet's Two Women and Shakespeare's Chinese Sisters: Qing Nü and Wan'er in The Banque
    Chapter 7. Traffic of Madwomen in the Chinese Royal Attic: Gender Concerns in Curse of the Golden Flower
    Part 2. Integrated Analyses about the Limitation of Feminist Emancipation in Groups of Films
    Chapter 8. Let's Make a Wish: Martial Arts Ladies' Wishes under the Cinematic Pen(is) from A Touch of Zen to Crouching Tiger Hidden Dragon, Hero, House of Flying Daggers, and The Promise
    Chapter 9. Phallocentric Teacher-Student Complex: From Legend of the Mountain, Crouching Tiger Hidden Dragon, and Hero to Seven Swords
    Chapter 10. A Chinese Cinematic Martial Arts Room of Pygmalion's Own
    Part 3. Interviews
    Chapter 11. Interview with Chung Ling, King Hu's Spouse and Screenwriter
    Chapter 12. Interview with Pan Hua, a Female Classmate and Peer-Director of Zhang Yimou, Chen Kaige, Tian Zhuangzhuang, Wu Ziniu, Li Shaohong, Hu Mei, and Peng Xiaolian
    Chapter 13. Interview with Tsai Kuo-jung, a Co-planner and Screenwriter of Ang Lee's Crouching Tiger Hidden Dragon
    Chapter 14. Interview with Wang Wei, a Judge in the Golden Horse Film Festival