Produktbild: How to Write about Music

How to Write about Music Excerpts from the 33 1/3 Series, Magazines, Books and Blogs with Advice from Industry-Leading Writers

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Beschreibung

Produktdetails

Einband

Taschenbuch

Erscheinungsdatum

26.02.2015

Herausgeber

Marc Woodworth + weitere

Verlag

Bloomsbury Academic

Seitenzahl

432

Maße (L/B/H)

23,3/15,6/3,2 cm

Gewicht

744 g

Sprache

Englisch

ISBN

978-1-62892-043-7

Beschreibung

Rezension

Collection of great long and short pieces on (pop) music, profiles, analyses and personal reactions; practical manual for breaking into a challenging and protean business; text for a cool college course; all-star lineup of contemporary music writers; models for venues from your own blog to the New Yorker; thing to dip into for bite-size bits of advice-How To Write About Music is, as the Dead Boys never quite put it, all this (and more). Highlights include Chuck Klosterman's interview how-to, Susan Fast's exegesis of Dangerous, Alex Ross's Radiohead, and, and, and-the volume draws on the 33 1/3 books without being in thrall to them, and it introduces many styles and many tastes-it's hard to imagine a better place to start. Stephen Burt, Professor of English, Harvard University, USA

Produktdetails

Einband

Taschenbuch

Erscheinungsdatum

26.02.2015

Herausgeber

Verlag

Bloomsbury Academic

Seitenzahl

432

Maße (L/B/H)

23,3/15,6/3,2 cm

Gewicht

744 g

Sprache

Englisch

ISBN

978-1-62892-043-7

Herstelleradresse

Libri GmbH
Europaallee 1
36244 Bad Hersfeld
DE

Email: gpsr@libri.de

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  • Produktbild: How to Write about Music
  • FOREWORD BY RICK MOODY
    INTRODUCTION BY MARC WOODWORTH
    HOW TO USE THIS BOOK
    THE WRITERS
    OVERTURE: EXPERT ADVICE FROM OUR WRITERS

    CHAPTER 1
    THE ALBUM REVIEW
    INTRODUCTION
    EXPERT ADVICE FROM OUR WRITERS
    ANN POWERS ON DAFT PUNK'S RANDOM ACCESS MEMORIES
    JIM DEROGATIS ON SIMON AND GARFUNKEL'S BOOKENDS
    LAURIE ANDERSON ON ANIMAL COLLECTIVE'S CENTIPEDE HZ
    LOU REED ON KANYE WEST'S YEEZUS
    WRITING PROMPT: THE BLIND REVIEW
    WRITING PROMPT: MAKE IT BETTER
    THE GO-BETWEENS: HOW TO MAKE CONTACTS

    CHAPTER 2
    THE LIVE REVIEW

    INTRODUCTION
    EXPERT ADVICE FROM OUR WRITERS
    PAUL MORLEY ON JOY DIVISION AT UNIVERSITY COLLEGE LONDON
    ZACH SCHONFELD ON SPIRITUALIZED AT WEBSTER HALL
    CHARLES AARON ON HOLE
    WRITING PROMPT: THE LIVE SHOW
    THE GO-BETWEENS: THE FIVE THINGS EVERY MUSIC WRITER OR EDITOR NEEDS

    CHAPTER 3
    TRACK-BY-TRACK

    INTRODUCTION
    EXPERT ADVICE FROM OUR WRITERS
    KIM COOPER ON NEUTRAL MILK HOTEL
    MARY GAITSKILL ON B-MOVIE
    TAVI GEVINSON ON TAYLOR SWIFT
    JONATHAN LETHEM ON TALKING HEADS
    WRITING PROMPT: TRACK-BY-TRACK
    THE GO-BETWEENS: HOW DID YOU LAND YOUR JOB?

    CHAPTER 4
    ANALYSIS
    INTRODUCTION
    RICHARD MELTZER ON EVIL AND ROCK 'N' ROLL
    LUKE TURNER ON ENYA
    BRIAN MORTON ON COMPUTER MUSIC
    JORDAN FERGUSON ON J DILLA
    WRITING PROMPT: LATE STYLE
    THE GO-BETWEENS: OFF-BEAT ADVICE
    CHAPTER 5
    THE ARTIST INTERVIEW

    INTRODUCTION
    EXPERT ADVICE FROM OUR WRITERS
    LIZZY GOODMAN WITH KIM GORDON
    THOMAS SAYERS ELLIS WITH BOOTSY COLLINS
    ALLEN GINSBERG WITH BECK
    WRITING PROMPT: BE BOTH INTERVIEWER AND INTERVIEWEE
    WRITING PROMPT: LEARN FROM THE BEST
    THE GO-BETWEENS: YOUR DREAM INTERVIEW SUBJECT

    CHAPTER 6
    THE PERSONAL ESSAY

    INTRODUCTION
    BRUCE EATON ON BIG STAR
    LESTER BANGS ON VAN MORRISON
    JAMES WOOD ON THE WHO
    RICK MOODY ON OTIS REDDING, SIMON & GARFUNKEL, THE BEATLES , FUNKADELIC AND OTHERS
    WRITING PROMPT: THE PERSONAL ESSAY
    WRITING PROMPT: OFF-THE-RADAR MUSIC THAT MATTERS
    THE GO-BETWEENS: HOW IS MUSIC WRITING DIFFERENT?

    CHAPTER 7
    THE BLOG PIECE

    INTRODUCTION
    EXPERT ADVICE FROM OUR WRITERS
    CHRIS DEVILLE ON MUMFORD AND SONS
    NICHOLAS CROGGON AND JAMES PARKER ON THE TROUBLE WITH CONTEMPORARY MUSIC CRITICISM
    MATT MELIS ON FANDOM
    WRITING PROMPT: THE BLOG PIECE
    THE GO-BETWEENS: YOUR BIGGEST MISTAKE

    CHAPTER 8
    THE ARTIST PROFILE

    INTRODUCTION
    EXPERT ADVICE FROM OUR WRITERS
    ALEX ROSS ON RADIOHEAD
    JOHN JEREMIAH SULLIVAN ON AXL ROSE
    LINDSEY ZOLADZ ON PUSSY RIOT
    SASHA FRERE JONES ON BEYONCÉ
    WRITING PROMPT: THE LOCAL ARTIST PROFILE
    THE GO-BETWEENS: WHAT SOURCES DO YOU USE?
    CHAPTER 9
    ALTERNATIVES

    INTRODUCTION
    JOHN DARNIELLE ON BLACK SABBATH
    MARTY DAVIS ON BLACK FLAG
    ROB SHEFFIELD FROM LOVE IS A MIX TAPE
    JOE DEUEL ON Hüsker Dü
    CAMPBELL MCGRATH ON BOB DYLAN
    WRITING PROMPT: THE ANNOTATED MIX TAPE
    WRITING PROMPT: OTHER VOICES
    WRITING PROMPT: HEADLINES FROM TITLES
    THE GO-BETWEENS: DESERT ISLAND DISCS
    CHAPTER 10
    HOW IT SOUNDS

    INTRODUCTION
    EXPERT ADVICE FROM OUR WRITERS
    ANDY BABIUK ON THE BEATLES
    OWEN PALLET ON KATY PERRY
    SUSAN FAST ON LED ZEPPELIN
    JOHN PERRY ON JIMI HENDRIX
    WRITING PROMPT: ISOLATED TRACKS
    THE GO-BETWEENS: DO YOU NEED TO KNOW HOW TO MAKE MUSIC TO WRITE ABOUT IT?
    CHAPTER 11
    MUSIC SCENES

    INTRODUCTION
    GINA ARNOLD ON LIZ PHAIR'S GUYVILLE
    ROSS SIMONINI ON JAMAICAN RUDE BOYS
    SIMON MORRISON ON DANCE CLUBS IN KOSOVO
    WRITING PROMPT: MUSIC SCENES
    THE GO-BETWEENS: HOW HAS THE FIELD OF WRITING ABOUT MUSIC CHANGED?

    CHAPTER 12
    CULTURAL CRITICISM

    INTRODUCTION
    CARL WILSON ON CELINE DION
    CHUCK KLOSTERMAN ON EMINEM
    GREIL MARCUS ON CLARENCE ASHLEY
    WRITING PROMPT: CULTURAL CRITICISM
    THE GO-BETWEENS: WORDS OF ADVICE TO THE LONELY MUSIC CRITIC

    CHAPTER 33 1/3
    HOW TO PITCH A 33 1/3

    INTRODUCTION
    A SUCCESSFUL PITCH: SUSAN FAST ON MICHAEL JACKSON'S DANGEROUS
    A SUCCESSFUL PITCH: PHILLIP CRANDALL ON ANDREW WK'S I GET WET
    PHILLIP CRANDALL REVISITS HIS 33 1/3 PROPOSAL
    WRITING PROMPT: THE 33 1/3 PITCH

    COMPANION WEBSITE
    ACKNOWLEDGEMENTS
    INDEX