Black Music: Open Road Media
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- Hardcover
- Taschenbuch
- eBook ausgewählt
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Form:Einzelkauf Download
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Sprache:Englisch
16,99 €
inkl. gesetzl. MwSt.Beschreibung
Produktdetails
Format
ePUB
Kopierschutz
Ja
Family Sharing
Nein
Text-to-Speech
Ja
Erscheinungsdatum
01.01.2010
Verlag
Akashic Books, Ltd.Seitenzahl
(Printausgabe)
Sprache
Englisch
EAN
9781936070725
The essential collection of jazz writing by the celebrated poet and author of
Blues People-reissued with a new introduction by the author.
In the 1960s, LeRoi Jones-who would later be known as Amiri Baraka-was a pioneering jazz critic, articulating in real time the incredible transformations of the form taking place in the clubs and coffee houses of New York City. In
Black Music, he sheds light on the brilliant young jazz musicians of the day: John Coltrane, Thelonious Monk, Miles Davis, Ornette Coleman, Cecil Taylor, Archie Shepp, Sun Ra, and others.
Combining firsthand immediacy with wide-ranging erudition,
Black Music articulates the complexities of modern jazz while also sharing insights on the nature of jazz criticism, the creative process, and the development of a new way forward for black artists. This rich and vital collection is comprised of essays, reviews, interviews, liner notes, musical analyses, and personal impressions from 1959-1967.
"In
Black Music, Baraka wrote with ecstasy-highly informed and intricate-about ecstatically complex music."-Richard Brody,
The New Yorker
Blues People-reissued with a new introduction by the author.
In the 1960s, LeRoi Jones-who would later be known as Amiri Baraka-was a pioneering jazz critic, articulating in real time the incredible transformations of the form taking place in the clubs and coffee houses of New York City. In
Black Music, he sheds light on the brilliant young jazz musicians of the day: John Coltrane, Thelonious Monk, Miles Davis, Ornette Coleman, Cecil Taylor, Archie Shepp, Sun Ra, and others.
Combining firsthand immediacy with wide-ranging erudition,
Black Music articulates the complexities of modern jazz while also sharing insights on the nature of jazz criticism, the creative process, and the development of a new way forward for black artists. This rich and vital collection is comprised of essays, reviews, interviews, liner notes, musical analyses, and personal impressions from 1959-1967.
"In
Black Music, Baraka wrote with ecstasy-highly informed and intricate-about ecstatically complex music."-Richard Brody,
The New Yorker
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