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Produktbild: Oxford Handbook of Early Modern Women's Writing in English, 1540-1700

Oxford Handbook of Early Modern Women's Writing in English, 1540-1700

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Beschreibung

Produktdetails

Einband

Gebundene Ausgabe

Erscheinungsdatum

01.01.2023

Abbildungen

18 Illustrations

Herausgeber

Elizabeth Scott-Baumann + weitere

Verlag

Oxford Academic

Seitenzahl

886

Maße (L/B/H)

25/17,5/5,2 cm

Gewicht

1677 g

Sprache

Englisch

ISBN

978-0-19-886063-1

Beschreibung

Produktdetails

Einband

Gebundene Ausgabe

Erscheinungsdatum

01.01.2023

Abbildungen

18 Illustrations

Herausgeber

Verlag

Oxford Academic

Seitenzahl

886

Maße (L/B/H)

25/17,5/5,2 cm

Gewicht

1677 g

Sprache

Englisch

ISBN

978-0-19-886063-1

Herstelleradresse

Libri GmbH
Europaallee 1
36244 Bad Hersfeld
DE

Email: gpsr@libri.de

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  • Produktbild: Oxford Handbook of Early Modern Women's Writing in English, 1540-1700
    • Preface
    • 1: Danielle Clarke, Sarah C. E. Ross, and Elizabeth Scott-Baumann: Introduction: What is Early Modern Women's Writing?
    • PART I. VOICE AND KNOWLEDGE
    • 2: Rosalind Smith: Authorship, Attribution, and Voice in Early Modern Women's Writing
    • 3: Jennifer Richards: How Lady Jane Grey May Have Used her Education
    • 4: Jane Stevenson: Women and Knowledge: Latin and Greek
    • 5: Michele Osherow: 'At My Petition': Embroidering Esther
    • 6: Carrie Griffin: Practical Texts: Women, Instruction, and the Household
    • 7: Helen Smith: Cultures of Correspondence: Women and Natural Philosophy
    • 8: Leah Knight: Libraries Not Their Own: Networking Women's Books and Reading in Early Modern England
    • PART II. FORMS AND ORIGINS
    • 9: Christina Luckyj: The Querelle des Femmes, the Overbury Scandal, and the Politics of the Swetnam Controversy in Early Modern England
    • 10: Katherine Larson: The Songscapes of Early Modern Women
    • 11: Ramona Wray: Receiving Early Modern Women's Drama
    • 12: Helen Wilcox: 'Sing and let the song be new': Early Modern Women's Devotional Lyrics
    • 13: Dianne Mitchell: Lyric Backwardness
    • 14: Kevin Killeen: 'People of a Deeper Speech': Anna Trapnel, Enthusiasm, and the Aesthetics of Incoherence
    • 15: Victoria Burke: Commonplacing, Making Miscellanies, and Interpreting Literature
    • 16: Julie A. Eckerle: Women's Life Writing and the Labour of Textual Stewardship
    • 17: Lara Dodds: Women and Fiction
    • 18: V. M. Braganza: Romance and Race
    • PART III. PLACES
    • 19: Paula McQuade: A Place-Based Approach to Early Modern Women's Writing
    • 20: Michelle O'Callaghan: London and the Book Trade: Isabella Whitney, Jane Anger, and the 'Maydens of London'
    • 21: Lotte Fikkers: The Self-Portrayal of Widows in the Early Modern English Courts of Law
    • 22: Wendy Wall: The World of Recipes: Intellectual Culture in and around the Seventeenth-Century Household
    • 23: Julie Sanders: Daughters of the House: Women, Theatre, and Place in the Seventeenth Century
    • 24: Laura L. Knoppers: Changing Places: Relocating the Court Masque in Early Modern Women's Writing
    • 25: Meghan E. Hall: Race and Geographies of Escape in Elizabeth Cary's The Tragedy of Mariam
    • 26: Sarah Prescott: Archipelagic Feminism: Anglophone Poetry from Ireland, Scotland, and Wales
    • PART IV. TRANSLINGUAL AND TRANSNATIONAL
    • 27: Brenda M. Hosington: 'Mistresses of tongues': Early Modern Englishwomen, Multilingual Practice, and Translingual Communication
    • 28: Jake Arthur: The Surplusage': Margaret Tyler and the Englishing of Spanish Chivalric Romance
    • 29: Line Cottegnies: French Connections: English Women's Writing and Préciosité
    • 30: Peter Auger: Old England And New in Anne Bradstreet's Poetry
    • 31: Martine van Elk: Early Modern Dutch and English Women Across Borders
    • 32: Mihoko Suzuki: Political Theory Across Borders
    • PART V. NETWORKS AND COMMUNITIES
    • 33: Jaime Goodrich: Networked Authorship in English Convents Abroad: The Writings of Lucy Knatchbull
    • 34: Patricia Pender: Gifts That Matter': Katherine Parr, Princess Elizabeth, and the Prayers Or Meditations (1545)
    • 35: Sebastiaan Verweij: Elizabeth Melville: Protestant Poetics, Publication, and Propaganda
    • 36: Daniel Starza Smith and Leah Veronese: Desire, Dreams, Disguise: The Letters of Elizabeth Bourne
    • 37: Nadine Akkerman: Women's Letters and Cryptological Coteries
    • 38: Susan Wiseman: Non-Elite Networks and Women
    • 39: Hero Chalmers: On the Picture of Ye Prisoner': Lucy Hutchinson and the Image of the Imprisoned King
    • 40: James Loxley: The Topopoetics of Retirement in Katherine Philips and Lucy Hutchinson
    • 41: Liza Blake: Early Modern Women in Print, and Margaret Cavendish, Woman in Print
    • PART VI. TOOLS AND METHODOLOGIES
    • 42: Paul Salzman: Editing Early Modern Women's Writing: Tradition and Innovation
    • 43: Marie-Louise Coolahan: Reception, Reputation, and Afterlives
    • 44: Julia Flanders: A Telescope for the Mind': Digital Modelling and Analysis of Early Modern Women's Writing
    • 45: Anna Reynolds: Material Texts: Women's Paperwork in Early Modern England and Lady Mary Wroth's Urania
    • 46: Patricia Phillippy: Memory and Matter: Lady Anne Clifford's 'Life of Mee'
    • 47: Bernadette Andrea: Early Modern Women, Race, and Writing Revisited
    • 48: Erin Murphy: Touches Across Time: Queer Feminism, Early Modern Studies, and Aemilia Lanyer's 'Rich Chains'
    • 49: Michelle M. Dowd: Untimely Developments: Periodisation, Early Modern Women's Writing, and Literary History