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Produktbild: The Palgrave Handbook of Neo-Victorianism
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The Palgrave Handbook of Neo-Victorianism

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Beschreibung

Produktdetails

Einband

Taschenbuch

Erscheinungsdatum

22.01.2025

Abbildungen

XIX, 527 p. 5 illus.

Herausgeber

Brenda Ayres + weitere

Verlag

Springer

Seitenzahl

527

Maße (L/B/H)

23,5/15,5/3 cm

Gewicht

820 g

Sprache

Englisch

ISBN

978-3-031-32162-7

Beschreibung

Rezension

“The introduction provides a distinctive history of the term ‘neo-Victorian’ and explores the uses, app … . The themes and texts explored are many and diverse. This is a substantial book … . All of these and many more offer a great deal of thought-provoking explorations of how we rewrite the nineteenth century, but there are, of course, too many for me to explore them all in detail.” (Serena Trowbridge, PRS, Pre-Raphaelite Society Review, 2024) 

Portrait


Sarah E. Maier
 
is
 
Professor of English and Comparative Literature at the University of New Brunswick Saint John, Canada.




Brenda Ayres
 teaches online courses for Liberty University and Southern New Hampshire University, USA.




Maier and Ayres have coedited several collections of essays. The most recent are 
Neo-Victorian Things 
(2022), 
Neo-Disneyism 
(2022), 
The Routledge Handbook of Victorian Scandals in Literature and Culture 
(2022), 
The Theological Dickens 
(2022), A Vindication of the Redhead (2021), 
Neo-Victorian Madness
 (2020) 
Neo-Gothic Narratives: 
(2020), 
Animals and Their Children in Victorian Culture 
(2019), and 
Reinventing Marie Corelli
 (2019).  

Produktdetails

Einband

Taschenbuch

Erscheinungsdatum

22.01.2025

Abbildungen

XIX, 527 p. 5 illus.

Herausgeber

Verlag

Springer

Seitenzahl

527

Maße (L/B/H)

23,5/15,5/3 cm

Gewicht

820 g

Sprache

Englisch

ISBN

978-3-031-32162-7

Herstelleradresse

Springer-Verlag GmbH
Tiergartenstr. 17
69121 Heidelberg
DE

Email: ProductSafety@springernature.com

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  • Produktbild: The Palgrave Handbook of Neo-Victorianism

  • Introduction: Neo-Victorianism -
    Sarah E. Maier and Brenda Ayres.- 
    Section 1: Neo-Victorian Genesis.- 
    Chapter 1: Reinventing the Victorians by Jean Rhys and John Fowles -
    Catherine Layton.- 

    Chapter 2: Tradition and Innovation in A.S. Byatt’s
    Possession
    -

    Pritika Pradhan, Rutgers University.- 
    Chapter 3: Neo-Victorian Poetry -
    Jo Morton, University of Greenwich.- 
    Section 2: Neo-Victorian Performances.- 

    Chapter 4: Adapting Wilkie Collins Adapting Himself: Revisiting
    The Moonstone
    (1868, 1877, 2016) -

    Robert Laurella, University of Oxford.- 

    Chapter 5:
    Miss Potter
    and Victorian Women’s Artistic Aspirations -

    Maria Juko, University of Hamburg.- 

    Chapter 6: “And thou art like the poisonous tree / That stole my life away”: The Afterlives of Pre-Raphaelite Women in
    Desperate Romantics

    - Anne-Marie Beller and Claire O’Callaghan, Loughborough University, UK.- 
    Chapter 7: Interpretations are Illimitable: Adapting George Eliot -
    Saswati Halder, Jadavpur University.- 
    Chapter 8: Neo-Victorian Musical Theatre -
    Marija Reiff, American University of Sharjah.- 
    Chapter 9: The Tortured Genius of the Neo-Victorian West End -
    Louise Creechan, Durham University.- 
    Chapter 10: Music Hall and “The Handprint of History on the Present Moment” -
    Catherine Quirk, Edge Hill University.- 
    Section 3: Neo-Victorian Crime, Empire, and Postcolonialism.- 

    Chapter 11: The Thug in the Margin and the Murderer in the Centre: Re-reading the Victorian Discourse of Criminology in Tabish Khair’s
    The Thing About Thugs -

    Sajalkumar Bhattacharya, Kazi Nazrul University.- 
    Chapter 12: Neo-Victorian Violence -
    Sophie Franklin, University of Tübingen

    .- Chapter 13: Rewriting the Convict Life in Australia: A Reading of Peter Carey’s
    Jack Maggs -

    Anjan Saikia, Kamargaon College.- 

    Chapter 14: Under Transimperial Eyes: Traversing Anarchy, Crime, and Patriotism in Neo-Japanese- Victorian Anime,
    Moriarty, the Patriot -

    Preeshita Biswas, Texas Christian University.- 
    Chapter 15: The Brontë Myth, Biofiction and Neo-Victorian Crime Novels -
    Barbara Braid, University of Szczecin.- 

    Chapter 16: The Sinister Community of Objects: An Archaeological Reading of
    The Silent Companions
    -

    Arka Chakraborty, Jadavpur University.- 
    Section 4: Neo-Victorian Gothic and Materiality.- 

    Chapter 17: Temporality of the Neo-Victorian: Abjection in Matthew Kneale’s
    Sweet Thames -

    Suvendu Ghatak, University of Florida.- 
    Chapter 18: The Hauntology of the Neo-Victorian Ghost Story -
    Brenda Ayres.- 

    Chapter 19:
    Crimson Peak:
    The Ghosting of the Past -

    Brenda Ayres.- 
    Chapter 20:

    The Limehouse Golem

    : Female Agency and Neo-Victorian Slumming -
    Brooke Cameron, Queen’s University, Ontario.- 
    Chapter 21: Dust and Sewers, Filth and Waste: Disgusting Neo-Victorian Narratives -
    Eckart Voigts, TU Braunschweig.- 

    Chapter 22: Victorian Ghostwriters, House Whisperers, and the Haunted House in
    Home Before Dark -

    Brenda Ayres.- 
    Section 5: Neo-Victorian Other(s). -
    Chapter 23: “Cult of the Neo-Victorian Child” -
    Patricia Pulham, University of Surrey.- 
    Chapter 24: Neo-Victorian Bodies of Inquiry: Narratives for Tweens to Teens -
    Sarah E. Maier.- 
    Chapter 25: Neo-Victorian Queerness: New Directions -
    Rachel M. Friars, Queen’s University, Ontario.- 
    Chapter 26: On Neo-Victorian Addiction, Alienism, Sex, and Insanity  -
    Sarah E. Maier.- 
    Chapter 27: “Men in Women’s Clothes”: Re-Imagining Stella and Fanny in Neo-Victorian Celebrity Biofiction -
    Danielle Mariann Dove, University of Surrey and Daný van Dam, Leiden University.- 
    Section 6: Neo-Victorian Religion and Science.- 
    Chapter 28:
    Dracula

    Never Dies: Spirituality and Science in the Neo-Victorian Vampire
    - 
    Carole Senf, Georgia Tech.- 
    Chapter 29: “Neo-Victorian Religion” -
    Miriam Elizabeth Burstein, SUNY Brockport.- 
    Chapter 29: Exotic Prehistory or Relevant Science: Sukumar Ray’s Posthuman Subversion of Victorian Travel Literature -
    Sutirtho Roy, University of Calcutta.- 

    Chapter 30: “I’m going to break you and remake you”: Reimagining David Lynch’s
    The Elephant Man
    in Museum, Documentary, and Comedy -

    Helen Davies, University of Wolverhampton and Louise Logan-Smith, Teesside University.- 
    Section 7: Neo-Victorian Outcomes.- 
    Chapter 31: Neo-Victorian Graphic Novel -
    Catherine Golden, Skidmore College.- 
    Chapter 32: Gaslight: The Play, the Film, the Verb -
    Benjamin Poore, University of York.- 
    Chapter 33: Is Steampunk Neo-Victorian? -
    Martin Danahay, Brock University.- 
    Chapter 34:
    Drag, Dreadfuls, and Draculas: (Neo-)Victorians for TV -
    Sarah E. Maier